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Updated: May 22, 2025
He said to Blue Beard resolutely, "Come, come, you are jesting, madame; do not trouble yourself; I comprehend the joke. I do not believe you as ferocious or as much of a magician as you wish to appear; to-morrow, I am sure I shall learn the secret of this comedy, which to-night, I avow, gives me a kind of nightmare."
And tho' that comedy is not without merit, yet it falls short of his other plays in which Falstaff is introduced, and that Knight is not half so witty in the Merry Wives of Windsor as in Henry IV. The humour is scarcely natural, and does not excite to laughter so much as the other.
He has not hesitated to alter the comedy of The Rivals, and in his alteration of it he has improved it. Acres has been made a better part for an actor, and a more significant and sympathetic part for an audience. You could not care particularly for Acres if he were played exactly as he is written. You might laugh at him, and probably would, but he would not touch your feelings.
He has fifty things in hand, farces to supply the Adelphi for the season; a comedy for one of the great theatres, just ready; a whole entertainment by himself for Mathews and Yates to figure in; a meditated Comic Annual for next year, to be nearly done by himself. You'd like him very much. Wordsworth, I see, has a good many pieces announced in one of 'em, not our "Gem."
Hypocrisy, it has been said, is the homage vice pays to virtue. Well and good; but the homage is excessive. Charming comedy, in which instincts, interests, and private revenges take shelter beneath the sacred cloak of patriotism. These Tartufes of heroism, prepared to offer up a splendid holocaust of others!
Within the limits of this short section of our story we shall cram two months of history, taking but a furtive peep or two at our personages as they plod through it. This is well within our power, since the position of the novelist in regard to his characters may be compared with that of the destiny which in the largest comedy moves to and fro mankind its actors.
If the mistress smiles at their ideal advances, the maid will laugh outright; she will throw water over you, get her sister to listen, send her sweetheart to ask you what you mean, will set the village or the house upon your back; it will be a farce, a comedy, a standing jest for a year, and then the murder will out. Scholars should be sworn at Highgate.
Emma McChesney, secretary of the T.A. Buck Featherloom Petticoat Company, that Sam Hupp noticed a rather cocky over-assurance in Jock's attitude toward the world in general. Whereupon he sent for him. On Sam Hupp's broad flat desk stood an array of diminutive jars, and bottles, and tiny pots that would have shamed the toilette table of a musical comedy star's dressing-room.
In the case of the drama, things are a little better: the theatre-going public like the obvious, it is true, but they do not like the tedious; and burlesque and farcical comedy, the two most popular forms, are distinct forms of art. Delightful work may be produced under burlesque and farcical conditions, and in work of this kind the artist in England is allowed very great freedom.
He was a sight to behold as he trudged up Market Street with his three loaves of bread, and his large pockets stuffed with shirts and stockings. He preferred pockets to the usual "bandanna bundle"; they were more convenient for storing away his wardrobe, but contributed largely to his comical appearance. He was a walking comedy. People gazed at him inquiringly and smiled.
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