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Updated: June 18, 2025
I should never think, for instance, of contesting an actress's right to represent Lady Macbeth as a charming, insinuating woman, if she really sees the figure that way. I may be surprised at such a vision; but so far from being scandalized, I am positively thankful for the extension of knowledge, of pleasure, that she is able to open to me. Auberon.
He would therefore call upon King Auberon briefly to address the meeting. The King began by saying that this speech might be regarded as the first declaration of his new policy for the nation.
"What do you mean?" asked Barker, desperately. "What cockatoo? You've never seen me with any cockatoo!" "I know," said Auberon, vaguely mollified. "Where's it been all the time?" Barker swung round, not without resentment. "I am sorry, sir," he said, shortly but civilly, "none of us seem to have anything red to lend you. But why, if one may ask " "I thank you, Señor, it is nothing.
Auberon. Never, never: it's the same old stage. The change is in ourselves. Florentia. Well, I never would have given an evening to what we have just seen. If one could have put it in between luncheon and tea, well enough. But one's evenings are too precious. Dorriforth. Florentia. I mean too precious for that sort of thing. Auberon.
Sleep, therefore, my Barker, a rosy sleep." Barker's wild eyes flared. "But, in God's name, don't you see, Quin, that the thing is quite different? In the centre it doesn't matter so much, just because the whole object of despotism is to get some sort of unity. But if any damned parish can go to any damned man " "I see your difficulty," said King Auberon, calmly.
"God bless my soul!" said Lambert, jumping back two paces. "Not me. Don't say I'm autocrat of all the Russias." "No, sir," said the officer, with a slight cough and a glance towards Auberon, who was at that moment putting his head between his legs and making a noise like a cow; "the gentleman whom we have to congratulate seems at the moment er er occupied."
The charm is the recognition of what we know, what we feel. Dorriforth. See already how you differ. What we surrender ourselves to is the touch of nature, the sense of life. Amicia. The first thing is to believe. Florentia. The first thing, on the contrary, is to disbelieve. Auberon. Lord, listen to them! Dorriforth. The first thing is to folio to care. Florentia.
And Auberon Herbert was an extraordinarily typical English aristocrat of the old and genuine aristocracy. Every one knew in his heart that the squire would not throw a bomb at the Queen, and the Nonconformist would not throw a bomb at anybody.
"Come home to tea," Florentia said to certain friends who had stopped to speak to her in the lobby of the little theatre in Soho they had been present at a day performance by the company of the Theatre Libre, transferred for a week from Paris; and three of these Auberon and Dorriforth, accompanying Amicia turned up so expeditiously that the change of scene had the effect of being neatly executed.
The face and the voice are more to the purpose than acres of painted canvas, and a touching intonation, a vivid gesture or two, than an army of supernumeraries. Auberon. Why not have everything the face, the voice, the touching intonations, the vivid gestures, the acres of painted canvas, and the army of supernumeraries?
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