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Updated: August 29, 2024


When the three travellers had gone a few steps through a very narrow path a most surprising spectacle suddenly unfolded itself to Mademoiselle de Verneuil's eyes, and made her understand the obstinacy of her Chouan guide.

Mademoiselle de Verneuil's first impulse was to jump from the carriage and run back along the road until she was out of sight of the battle; but ashamed of her fears, and moved by the feeling which impels us all to act nobly under the eyes of those we love, she presently stood still, endeavoring to watch the combat coolly. The marquis followed her, took her hand, and placed it on his breast.

Mademoiselle de Verneuil's eyes, as she watched him depart, shone with such natural pleasure, she looked at Francine with a smile of intelligence which betrayed so much real satisfaction, that Madame du Gua, who grew prudent as she grew jealous, felt disposed to relinquish the suspicions which Mademoiselle de Verneuil's great beauty had forced into her mind.

The lady, surprised at this freedom, drew back a few steps to examine the speaker; she turned her black eyes upon him, full of the keen sagacity so natural to women, seeking apparently to discover in what interest he stepped forth to explain Mademoiselle de Verneuil's birth.

Surprised to see these enemies hand in hand, and evidently understanding each other, Francine kept silence, not daring to ask her mistress whether her conduct was that of treachery or love. Thanks to the darkness, the marquis did not observe Mademoiselle de Verneuil's agitation as they neared Fougeres. The first flush of dawn showed the towers of Saint-Leonard in the distance.

"Mademoiselle," said the peasant-woman, hastily, "hush, I hear steps in the passage." "Ah! not his steps!" said Marie, listening. "But you are evading an answer; well, well, I'll wait for it, or guess it." Francine was right, however. Three taps on the door interrupted the conversation. Captain Merle appeared, after receiving Mademoiselle de Verneuil's permission to enter.

Mademoiselle de Verneuil's veil was fluttering in the wind. Madame du Gua, furious at the sight, left the room hurriedly. The marquis, standing on the portico absorbed in gloomy thought, was watching about a hundred and fifty Chouans, who, having divided their booty in the gardens, were now returning to finish the cider and the rye-bread provided for the Blues.

Mademoiselle, you are not eating," said the sailor to Francine, seeming busy with the guests. But Hulot's astonishment and Mademoiselle de Verneuil's close observation had something too dangerously serious about them to be ignored. "What is it, citizen?" said the young man, abruptly; "do you know me?" "Perhaps I do," replied the Republican. "You are right; I remember you at the School."

Her anger changed to pity, her pity to tenderness, and she suddenly knew that it was not revenge alone which had brought her there. The marquis rose, turned his head, and stood amazed when he saw, as if in a cloud, Mademoiselle de Verneuil's face; then he shook his head with a gesture of impatience and contempt, exclaiming: "Must I forever see the face of that devil, even when awake?"

As he spoke he tried to look into the depths of Mademoiselle de Verneuil's soul, and one of those voiceless scenes the dramatic vividness and fleeting sagacity of which cannot be reproduced in language passed between them in a flash. Danger is always interesting. The worst criminal threatened with death excites pity.

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