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Lothario, terrified and breathless, ran in haste to pluck out the dagger; but when he saw how slight the wound was he was relieved of his fears and once more admired the subtlety, coolness, and ready wit of the fair Camilla; and the better to support the part he had to play he began to utter profuse and doleful lamentations over her body as if she were dead, invoking maledictions not only on himself but also on him who had been the means of placing him in such a position: and knowing that his friend Anselmo heard him he spoke in such a way as to make a listener feel much more pity for him than for Camilla, even though he supposed her dead.
After a few revivals of Giulio Cesare, he brought out a second new opera, Partenope, on February 24. Despite its many beauties, it was even less successful than Lothario. Handel's audience did not go to the theatre to listen to his music; they went to hear the singers, and Bernacchi, who was no longer a young man, was a poor substitute for Senesino.
At last he decided upon revealing all to Camilla, and, as there was no want of opportunity for doing so, he found her alone the same day; but she, as soon as she had the chance of speaking to him, said, "Lothario my friend, I must tell thee I have a sorrow in my heart which fills it so that it seems ready to burst; and it will be a wonder if it does not; for the audacity of Leonela has now reached such a pitch that every night she conceals a gallant of hers in this house and remains with him till morning, at the expense of my reputation; inasmuch as it is open to anyone to question it who may see him quitting my house at such unseasonable hours; but what distresses me is that I cannot punish or chide her, for her privity to our intrigue bridles my mouth and keeps me silent about hers, while I am dreading that some catastrophe will come of it."
Despite his simulated ease, Sarudine looked obviously anxious. He felt that he ought not to have come. He dreaded meeting Lida, yet he could on no account let Volochine see this, to whom he wished to pose as a gay Lothario. "Dear Maria Ivanovna," began Sarudine, smiling affectedly, "allow me to introduce to you my good friend, Paul Lvovitch Volochine."
Hill, or Miles, or something like that, "the lady of an eminent barrister, now on circuit. The gay Lothario is, they say, the Hon. George ." I was so thunderstruck at the rashness of the stroke, I could say nothing; while the old gentleman started as if he had sat down on a pin. Casey, meanwhile, went on. "'Hell and fury! said the king's counsel, rushing over, 'what is it you're saying?
Had not Camilla, however, been informed beforehand by Lothario that this love for Chloris was a pretence, and that he himself had told Anselmo of it in order to be able sometimes to give utterance to the praises of Camilla herself, no doubt she would have fallen into the despairing toils of jealousy; but being forewarned she received the startling news without uneasiness.
Lothario observed all this, and it inflamed him all the more. In short he felt that while Anselmo's absence afforded time and opportunity he must press the siege of the fortress, and so he assailed her self-esteem with praises of her beauty, for there is nothing that more quickly reduces and levels the castle towers of fair women's vanity than vanity itself upon the tongue of flattery.
That I may make myself more clear, I shall give an instance of my meaning. Scarcely a week passes over without a trial for breach of promise of marriage. Sometimes the gay Lothario, to use the phrase of the newspapers, is nineteen, sometimes ninety. In either case his conduct is a frightful tissue of perjured vows and base deception.
Mignon's devotion has won Willielm's heart, and the opera ends by the discovery that she is the long-lost daughter of Lothario, who is actually the Count of Cipriani, but after the disappearance of his daughter had lost his reason, and wandered forth in the guise of a harper to search for her. The score of 'Mignon' reveals the hand of a sensitive and refined artist upon every page.
"That is the truth," replied Anselmo, "and relying upon that I will tell thee, friend Lothario, that the desire which harasses me is that of knowing whether my wife Camilla is as good and as perfect as I think her to be; and I cannot satisfy myself of the truth on this point except by testing her in such a way that the trial may prove the purity of her virtue as the fire proves that of gold; because I am persuaded, my friend, that a woman is virtuous only in proportion as she is or is not tempted; and that she alone is strong who does not yield to the promises, gifts, tears, and importunities of earnest lovers; for what thanks does a woman deserve for being good if no one urges her to be bad, and what wonder is it that she is reserved and circumspect to whom no opportunity is given of going wrong and who knows she has a husband that will take her life the first time he detects her in an impropriety?
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