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Updated: May 25, 2025
Mix and divide into sixty pills. Sig. One pill after each meal. Take a spoonful of finely powdered charcoal in a small glass of warm water to relieve a sick headache. It absorbs the gasses produced by the fermentation of undigested food. Acetate of zinc, 20 grains. Acetate of morphia, 5 grains. Rose water, 4 ounces. Mix. Blood Root Pulverized, 1 ounce. Hog's lard, 3 ounces.
Out of the tail of his eye as he hung it up he saw Sig Gulwing just entering the hotel, in proper disguise for the character of the district telegraph manager with a grudge against pool rooms and a plan for making enough at one coup to enable him to quit his present job; the job was mythical, and the grudge, too bits merely of the fraudulent drama now about to be played but surely Gulwing was most solid and dependable and plausible looking.
It was half an hour later that Sig pointed out a small clearing ahead of them. "Cabin's right oop on the edge of the aspens. See it?" The ranger nodded assent. "Ay bane go down first an' see how t'ings look." When the Norwegian entered the cabin, he saw two men seated at a table, playing seven up.
"That's all right, Sig." Nobody wasted any compliments on him. After the fashion of their kind, they guyed the Norwegian about the bath he had taken. Nevertheless, Fraser knew that he had won the liking of these men, as well as their deep respect.
"I Puritani di Scozia," an opera in two acts, words by Count Pepoli, was first produced at the Théâtre Italien, Paris, Jan. 25, 1835, and in London in the following May, under the title of "I Puritani ed i Cavalieri." The original cast was as follows: ELVIRA Mme. GRISI. ARTURO Sig. RUBINI. RICARDO Sig. TAMBURINI. GIORGIO Sig.
The handling is Baccio's own able style, but Sig. Cavalcaselle thinks the influences of Cosimo Roselli are apparent in the low tone and clouded translucent colour; he signed it "Hieronymi Ferrariensis, a Deo missi propheta effigies," a legend which expresses the more than reverence which Baccio cherished for the preacher. This portrait has only lately been identified by its present possessor, Sig.
An admiring grin lit the Norwegian's face. "Durn my hide, yuh've got 'em all skinned for grit, Steve. Uh course, Ay bane goin' with yuh." "If it won't get you in bad with your friends I'll be glad to have you, Sig." "They bain't my friends. Ay bane shook them, an' served notice to that effect." "Glad of it." "Yuh bane goin' in after Struve only?" "Yes. He's the only man I want."
A crooks' tipster who was a clerk in a bucket shop downtown had for a price passed the word to the Gulwings, and the Gulwings Sig and Alf were intentful to strip the speculative Westerner before the curb took from him the delectable core of his bank roll.
"Masaniello," or "La Muette de Portici," a lyric opera in five acts, words by Scribe and Delavigne, was first produced in Paris, Feb. 29, 1828; in English, at London, May 4, 1829; and in Italian, at London, March 15, 1849. The original cast included Mme. Damoreau-Cinti as Elvira, Mlle. Noblet as Fenella, and M. Massol as Pietro. In the Italian version, Sig. Mario, Mme. Dorus-Gras, and Mlle.
Trent smoked thoughtfully. He wondered how much Mr. Bunner knew of the domestic difficulty in his chief's household, and decided to put out a feeler. "I understood that he had trouble with his wife." "Sure," replied Mr. Bunner. "But do you suppose a thing like that was going to upset Sig Manderson that way? No, sir! He was a sight too big a man to be all broken up by any worry of that kind."
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