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Updated: May 31, 2025
Because we are out of its uneasy lap to-night, we almost resemble in felicity Richter's Walt, who felt himself so happy, that he was transported to the third heaven, and held the other two in his hand, that he might give them away. To-morrow morning we shall not hear that swashing, scaring sound directly overhead on the wet deck, which has so often murdered our slumbers.
Moulded by two women who were imbued with the spirit of Richter's admonition: "Girls like the priestesses of old, should be educated only in sacred places, and never hear, much less see, what is rude, immoral or violent"; the pate tendre of Leo's character showed unmistakably the potter's marks.
"Ach!" exclaimed the German, "now I know you, Mr. Brice. The young one from Boston the Judge spoke of. But you did not tell him of your arrival." "I did not wish to bother him," Stephen replied, smiling. "My name is Richter Carl Richter, sir." The pressure of Mr. Richter's big hands warmed Stephen as nothing else had since he had come West.
On the bier was borne the unfinished manuscript of Selina, an essay on immortality. Sixty students with lighted torches escorted the procession. Other students bore, displayed, Levana and the Introduction to Esthetics. Sixteen years after Richter's death the King of Bavaria erected a statue to him in Bayreuth.
This, it was said, was in consequence of Richter's opinion that the balance of power was disturbed by too great a preponderance of string tone, but it is just possible that economy was considered when the change was made. Anyway, in 1885 there were over twenty stringed instruments less than in Costa's last year, 1882. This alteration was a notable one, and regrettable in some ways.
With slight unrecognizing salutation they passed me; plunged down amid the neighboring thickets, onwards, to Heaven, and to England; and I, in my friend Richter's words, I remained alone, behind them, with the Night."
Richter's Contented Schoolmaster lacked much in grace of form, but it revealed unguessed resources in the German language, it showed democratic sympathies more genuine than Rousseau's, it gave the promise of a new pedagogy and a fruitful esthetic; above all it bore the unmistakable mint-mark of genius. Wuz won cordial recognition from the critics.
Stephen looked around him: at the dusty books on the shelves, and the still dustier books heaped on Mr. Richter's big table; at the cuspidors; at the engravings of Washington and Webster; at the window in the jog which looked out on the court-house square; and finally at another ground-glass door on which was printed: SILAS WHIPPLE
Of Richter's last decade two books only call for notice here, Truth about Jean Paul's Life, a fragment of autobiography written in 1819, and The Comet, a novel, also unfinished, published at intervals from 1820 to 1822. Hitherto, said Richter of The Comet, he had paid too great deference to rule, "like a child born curled and forthwith stretched on a swathing cushion."
With all his ability, tact, and nerve, it must, however, be admitted that his style of conducting was rough and ready compared with the art, care, and skill that mark musical conductorship of the present day. With Richter's appearance as conductor, some important changes and reforms were effected in the orchestral arrangements of the Festival. For one thing, the band was cut down in number.
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