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I dare say this is true; but the same claim, I recall, was once made for an original poster in the Strand. The "Paradiso" was one of Tintoretto's last works, the commission coming to him only by the accident of Veronese's death. Veronese was the artist first chosen, with a Bassano to assist, but when he died, Tintoretto, who had been passed over as too old, was permitted to try.
He watched from a corner the players, and greedily coveted the masses of gold and silver piled in pyramids behind the croupiers. He heard the violins playing Suppe's overture, and the remembrance came vividly to him of the Paradiso and the fair girl with whom the Englishman talked. The exciting events following that evening passed before him a lurid panorama.
"When they die the parents always, and also the man that is to die, they fear the please, what is not the paradiso? Excuse me, it is the inferno: and they tell to the priest 'Please come. Then they pay him to tell all that is good, and sometimes the priest arrive that you will be dead. If you shall suicide, very likely you are dead before.
I always called Trieste Il Paradiso delle Sartorelle, because the sartorella was a prominent figure in Trieste, and Fortune's favourite. She was wont to fill the streets and promenades, especially on festa days, dressed a quatre epingles, powdered and rouged and coiffee as for a ball, and with or without a veil.
Vie piu che indarno da riva si parte, Perche non toma tal qual ei si move, Chi pesca per lo vero e noil ha l' arte." DANTE, "Paradiso," Canto XIII. The elements of Catholic philosophy may no longer be looked upon as out of place in the education of our girls, or as being reserved for the use of learned women and girlish oddities.
The poet had a fat terrier who wished always to be present at the meetings of the Club, and he commonly fell asleep at the same moment with that dear old scholar, so that when they began to make themselves heard in concert, one could not tell which it was that most took our thoughts from the text of the Paradiso.
He himself had made an immense success of the practice of medicine, and accumulated a great fortune, so much so that Dante, in his "Paradiso," when he wishes to find a figure that would represent exactly the opposite to what St. Dominic, the founder of the Dominicans, did for the love of wisdom and humanity, he takes that of Taddeo, who had accomplished so much for personal reputation and wealth.
Titian himself was powerless to imagine movement like that of Aphrodite floating in the air, or of Madonna adjuring Christ in the "Paradiso," or of Christ Himself judging by the silent simplicity of his divine attitude the worldly judge at whose tribunal He stands, or of the tempter raising his jewelled arms aloft to dazzle with meretricious brilliancy the impassive God above him, or of Eve leaning in irresistible seductiveness against the fatal tree, or of S. Mark down-rushing through the sky to save the slave that cried to him, or of the Mary who has fallen asleep with folded hands from utter lassitude of agony at the foot of the cross.
It was preserved at St. Peter's and shown only on special occasions. Compare with this passage the lines in the Paradiso, c. xxxi. 103-8: "As one that haply from Croatia came To see our Veronica, and no whit Could be contented with its olden fame, Who in his heart saith, when they're showing it, 'O Jesu Christ! O very Lord God mine! Does truly this thy feature counterfeit?" CAYLEY.
I would urge all who are unacquainted with Dante to read, or rather to study, him at once. They could study no more ennobling teacher. If they are unfamiliar with Italian, they may read the faithful prose version of the "Inferno" by John Carlyle, of the "Purgatorio" and "Paradiso," by A. J. Butler, or the translations by Cary in blank verse, and the Dean of Wells in terza rima.
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