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Updated: June 12, 2025


It was under such circumstances that Jasmin consented to recite his poems for the relief of the afflicted poor. His fame had increased from year to year. His songs were sung, and his poems were read, all over the South of France. When it was known that he was willing to recite his poems for charitable purposes he was immediately assailed with invitations from far and near.

When seen in the streets of that town she became an object of commiseration to many, but the children pursued her, calling out, 'Martha, a soldier! Sometimes she disappeared for two weeks at a time, and the people would then observe, 'Martha has hidden herself; she must now be very hungry! More than once Jasmin, in his childhood, pursued Martha with the usual cry of 'A soldier. He little thought that at a future time he should make some compensation for his sarcasms, by writing the touching poem of Martha the Innocent; but this merely revealed the goodness of his heart and his exquisite sensibility.

or, as translated by Longfellow: "Day for the others ever, but for me For ever night! for ever night! When he is gone, 'tis dark! my soul is sad! I suffer! O my God! come, make me glad." When Jasmin omitted this verse, Thierry, who had listened with rapt attention, interrupted him. "Poet," he said, "you have omitted a passage; read the poem as you have written it."

At Paris the work was welcomed with applause, first by his poetic sponsor, Charles Nodier, in the Temps, where he congratulated Jasmin on using the Gascon patois, though still under the ban of literature. "It is a veritable Saint Bartholomew of innocent and beautiful idioms, which can scarcely be employed even in the hours of recreation."

"Ah, dear sir," said Jasmin, "you have achieved much more glory than I. Without mentioning the profound respect with which all France regards you, posterity and the world will glorify you." "Glory, indeed," replied Chateaubriand, with a sad smile. "What is that but a flower that fades and dies; but speak to me of your sweet south; it is beautiful.

The reviewer in the Westminster, who had seen Jasmin at Agen, goes on to speak of the honours he had received in the South and at Paris his recitations in the little room behind his shop his personal appearance, his hearty and simple manners and yet his disdain of the mock modesty it would be affectation to assume.

The poems of De Vigny are sweet and elegant, though somewhat lacking in the energy belonging to lyric composition. The Gascon poet Jasmin has produced a good deal of verse in the western dialect of the Langue d'oc, and recently a more cultivated and literary school of poets has arisen in Provence, the chief of whom is Mistral.

If Mademoiselle Clotilde does not care for Monsieur Isidore after all, and he loves Mademoiselle Marguerite, and has actually plighted his word to her, what master-stroke of policy can even the genius of M. Jasmin devise to overcome such obstacles?" The valet's wits were too blunted to detect the irony, but he drank in the flattery as he sipped his wine.

He was shortly after turned out of the Seminary, in consequence of a naughty trick which he played upon a girl of the household. Jasmin tells the story of his expulsion with great frankness, though evidently ashamed of the transaction. He was passing through the inner court one day, during the Shrove Carnival, when, looking up, he caught sight of a petticoat. He stopped and gazed.

This was only about a fourth part of the verses which Jasmin had composed. Nodier confessed that he was greatly pleased with them. Turning round to the wife he said, "Madame, poetry knocks at your door; open it. That which inspires it is usually a noble heart and a distinguished spirit, incapable of mean actions. Let your husband make his verses; it may bring you good luck and happiness."

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