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Updated: May 24, 2025


Under certain circumstances, there may be, at times, a slight odor as of guano mixed with earth; but this is so trifling and so local, that a commode arranged on this plan may, without the least annoyance, be kept in use in any room. This statement is made as the result of personal experience. Mr.

Madeleine awoke from a heavy drugged sleep and reached out her hand automatically for the drawer of her commode. It fumbled in the air for a moment and then she raised herself on her elbow. She glanced about the room. It was not her own. She sprang out of bed. A key turned and Sally Abbott entered. "What does this mean?" cried Madeleine. "What are you doing here, Sally?

Keeping an eye through the door on his prisoner he lighted the lamp and carried it into the back room, setting it upon a commode which stood in one corner. "You really seen maw?" he asked. "Is she well?" "Looked well when I seen her," said Billy; "but she wants her boy back a whole lot. I guess she'd look better still ef he walked in on her some day." "I'll do it," cried Eddie.

He bounded rather than climbed upon his commode, and resumed his post near the little peep-hole in the partition wall. Again he beheld the interior of Jondrette's hovel. Nothing in the aspect of the family was altered, except that the wife and daughters had levied on the package and put on woollen stockings and jackets. Two new blankets were thrown across the two beds.

He came into the room slowly, his eyes roving about as if in search of something, now dwelling on the table, now on the mantelpiece, now on the Louis XV commode. Then in the same preoccupied manner he went out again. "What an odd man!" Miss Clifford remarked with a smile. "You'd have thought it natural to ask how Roger came to cut his hand, wouldn't you?"

In one of his salons the Nabob kept a commode, an ugly little piece of furniture representing the savings of some concierge; it was the first article Jansoulet bought when he was in a position to renounce furnished apartments, and he had kept it ever since like a gambler's fetish; its three drawers always contained two hundred thousand francs in current funds.

One day, M. Gillenormand, while his daughter was putting in order the phials and cups on the marble of the commode, bent over Marius and said to him in his tenderest accents: "Look here, my little Marius, if I were in your place, I would eat meat now in preference to fish. A fried sole is excellent to begin a convalescence with, but a good cutlet is needed to put a sick man on his feet."

What miscellaneous effects of female personal wearing apparel were perceived by him? What impersonal objects were perceived? A commode, one leg fractured, totally covered by square cretonne cutting, apple design, on which rested a lady's black straw hat. Bloom's acts?

The furniture was made to agree with this decorative treatment: couches and easy chairs were designed in more sweeping curves and on a smaller scale, the woodwork wholly or partially gilt and upholstered, not only with the tapestry of Gobelins or Beauvais, but with soft colored silk brocades and brocatelles; light occasional chairs were enriched with mother-of-pearl or marqueterie; screens were painted with love scenes and representations of ladies and gentlemen who look as if they passed their entire existence in the elaboration of their toilettes or the exchange of compliments; the stately cabinet is modified into the bombé fronted commode, the ends of which curve outwards with a graceful sweep; and the bureau is made in a much smaller size, more highly decorated with marqueterie, and more fancifully mounted to suit the smaller and more effeminate apartment. The smaller and more elegant cabinets, called Bonheur du jour (a little cabinet mounted on a table); the small round occasional table, called a gueridon; the encoignure, or corner cabinet; the étagère, or ornamental hanging cabinet, with shelves; the three-fold screen, with each leaf a different height, and with shaped top, all date from this time. The chaise

A simpler form of hair-dressing succeeded the commode; portraits painted during the following half-century, such as those of Copley, Smibert, and Blackburn, show an elegant and graceful form of coiffure, the hair brushed back and raised slightly from the forehead, and sometimes curled loosely behind the ears. At a later date the curls were almost universally surmounted by a lace cap.

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