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Let us give him a first-rate fit out; it costs us nothing. Four or five generations of gentlemen and gentlewomen; among them a member of his Majesty's Council for the Province, a Governor or so, one or two Doctors of Divinity, a member of Congress, not later than the time of top-boots with tassels. Family portraits. The member of the Council, by Smibert.

A simpler form of hair-dressing succeeded the commode; portraits painted during the following half-century, such as those of Copley, Smibert, and Blackburn, show an elegant and graceful form of coiffure, the hair brushed back and raised slightly from the forehead, and sometimes curled loosely behind the ears. At a later date the curls were almost universally surmounted by a lace cap.

Let us give him a first-rate fit out; it costs us nothing. Four or five generations of gentlemen and gentlewomen; among them a member of his Majesty's Council for the Province, a Governor or so, one or two Doctors of Divinity, a member of Congress, not later than the time of top-boots with tassels. Family portraits. The member of the Council, by Smibert.

There were few pictures of any merit painted in New England before the time of Smibert, and I am at a loss to know what artist could have taken this half-length, which was evidently from life. It was somewhat stiff and flat, but the grace of the figure and the sweetness of the expression reminded me of the angels of the early Florentine painters.

There were few pictures of any merit painted in New England before the time of Smibert, and I am at a loss to know what artist could have taken this half-length, which was evidently from life. It was somewhat stiff and flat, but the grace of the figure and the sweetness of the expression reminded me of the angels of the early Florentine painters.

Let us give him a first-rate fit out; it costs us nothing. Four or five generations of gentlemen and gentlewomen; among them a member of his Majesty's Council for the Province, a Governor or so, one or two Doctors of Divinity, a member of Congress, not later than the time of top-boots with tassels. Family portraits. The member of the Council, by Smibert.

Wentworth took fire at the suggestion, forgot his gout, and declared himself ready to serve his country and assume the burden of command. The painter Smibert has left us a portrait of Pepperrell, a good bourgeois face, not without dignity, though with no suggestion of the soldier. His spacious house at Kittery Point still stands, sound and firm, though curtailed in some of its proportions.

The pains these good, serious gentlemen took with their garments, the long minute lists they sent to European tailors, their loudly expressed discontent over petty disappointments as to the fashion and color of their attire, their evident satisfaction at becoming and rich clothing, all point to their wonderful love of ostentation and their vanity a vanity which fairly shines with smirking radiance out of some of the masculine faces in the "bedizened and brocaded" portraits of dignified Bostonians in Harvard Memorial Hall, and from many of the portraits of Copley, Smibert, and Blackburn.

Indeed, there are constantly blended associations in the history of English authors and artists; Reynolds is identified with Johnson and Goldsmith, Smibert with Berkeley, Barry with Burke, Constable and Wilkie with Sir George Beaumont, Haydon with Wordsworth, and Leslie with Irving; the painters depict their friends of the pen, the latter celebrate in verse or prose the artist's triumphs, and both intermingle thought and sympathy; and from this contact of select intelligences of diverse vocation has resulted the choicest wit and the most genial companionship.

There were few pictures of any merit painted in New England before the time of Smibert, and I am at a loss to know what artist could have taken this half-length, which was evidently from life. It was somewhat stiff and flat, but the grace of the figure and the sweetness of the expression reminded me of the angels of the early Florentine painters.