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They sang one of his saddest melodies, Resignation, a setting of a poem of Eichendorff's, and a chorale by his old friend Bruckner, who had died several years before him. His faithful friends, Faisst at the head of them, took care to have a monument erected to his memory near those of Beethoven and Schubert.

One oasis of humor in this desert of dry evidence gave them passing refreshment, when a picturesque witness for the defense, an instrument maker named Franz Bruckner, from South Germany, having been asked if the violin shown him was a Strad., replied, with a grunt of disgust: "Ach Himmel, nein!"

For, if a man have little ideas, at least his good workmanship will count for something. In truth, one of the strangest types is presented in Bruckner, a pedant who by persistent ingenuity simulates a master-work almost to perfection. By so much as genius is not an infinite capacity for pains, by so much is Bruckner's Ninth not a true symphony.

While we see in Mahler much of the duophonic manner of his teacher, Bruckner, in the work of the younger man the barren art is crowned with the true fire of a sentient poet. So, if Bruckner had little to say, he showed the way to others. And Mahler, if he did not quite emerge from the mantle of Beethoven, is a link towards a still greater future.

Eight o'clock was striking when the Representatives began to arrive. Bruckner, Maigne, and Brillier first, and then successively Charamaule, Cassal, Dulac, Bourzat, Madier de Montjau, and Baudin. Bourzat, on account of the mud, as was his custom, wore wooden shoes. Whoever thought Bourzat a peasant would be mistaken. He rather resembled a Benedictine monk.

One of the soldiers who faced him wished to push him away from the captain, and touched him with his bayonet. The point encountered the book of the addresses of the Representatives, which Schoelcher had in his pocket, and only pierced his clothing. A soldier said to De Flotte, "Citizen, we do not wish to hurt you." Nevertheless a soldier came up to Bruckner and pointed his gun at him.

In 1889, he went to Vienna for three years, studying under Bruckner, Robert Fuchs, and Dachs. He graduated with the silver medal there, and returned to St. Louis, where he has since lived as a teacher and pianist. Alfred George Robyn is the most popular composer St. Louis has developed.

And all the girls thronged round her and wanted to kiss her hand. No one spoke for a moment, and then Hella said: "Frau Doktor, may I ask you something? But you mustn't be angry!" "All right, ask away!" "Is it the captain we met in Carnuntum?" She was quite puzzled for a minute, and then she laughed like anything and said, "No, Bruckner, it is not he, for he has a wife already."

Again and again his music re-echoes the cry, "I will not let Thee go unless Thou bless me." Of modern composers Bruckner alone had affair so steadily with the heights, and Franck is the gentler, sweeter, tenderer of the two. He set himself, quite in the fashion of the composers of the dying renaissance, to write an hundred hymns to the Virgin.

As against the pedantry of Bruckner the style of Strauss is almost welcome in its frank pursuit of effects which are at least grateful in themselves. Strauss makes hardly a pretence at having melodic ideas. They serve but as pawns or puppets for his harmonic and orchestral mise-en-scène. He is like a play-wright constructing his plot around a scenic design.