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She had been guilty, as this American had pointed out, of dangerous and wrong pride, and she accepted her lesson willingly. There was, however, an annoying conflict between Edward Dunsack, the example, the impersonal, and Edward Dunsack making violent profession of his unspeakable desire for her. Even the word seemed to soil her; but there was no other.

He had a blasting contempt for the unrighteous flesh. When they had risen from the table, Edward Dunsack appeared and sinking weakly into a chair demanded a cup of tea. He knew nothing of their discovery, of the fact that they had stood above his revolting insensibility. After the tea he seemed to revive; he lighted a cheroot and said something about going out.

She was shocked at the worn expression of his face; it seemed as if he had aged in the few hours since he had left the library. He was uneasy, silent; and, secretly dismayed, she saw that he was indifferent to her changed appearance, too. Taou Yuen debated the wisdom of telling him about the painful scene with Edward Dunsack; against her original intent she decided in the negative.

It now seemed even a little rash when he could find an immediate highly profitable market the opium had cost him seven hundred dollars in China. But he must, he realized, be firm. Afterwards, in his room facing away from the street over darkening yards and gables and foliage, he stood gazing at the chest of mango wood that held the drug. Edward Dunsack unlocked and lifted the lid.

A deep pleasurable excitement filled him as he made his greeting in correct Chinese. The long delicate oval of her face showed no emotion at the sound of her native speech and she returned his periods in a slowly chosen mechanical English. Edward Dunsack thought that as he spoke an expression of distaste stamped Gerrit's features.

At the sound of footfalls behind him he turned and saw Nettie Vollar and her uncle, Edward Dunsack. A dark color rose in the girl's cheek, and her hand pulled involuntarily at Dunsack's arm, as if she wished to retreat.

It was a prayer for which Barzil Dunsack would have had nothing but condemnation: she implored the dark, the mystery of Augustness, for carnal and light things, yes for waltzes and quadrilles and songs and pleasure, young pleasure, all the aching desires of her health and spirit and nature and years; but most for love.

Dunsack interposed: "You will find that the Chinese have none of your little sympathetic tricks. No foreigner could ever grasp the depth of their indifference to what you might call humanity. They are born wise, as you say, but weary. I suppose your wife plays the guitar skillfully and sings the Soochow Love Song."

"He is very kind, really," she replied, looking away over the harbor. "It is so queer marrying a Chinese woman like that. How will he ever get along with her or be happy?" "He won't," Edward Dunsack asserted. "Leave that to time." He studied her attentively. "Was it anything to you?" he asked. "It might have been," she acknowledged listlessly, her gaze still on the horizon.

Their facilities here are no longer suitable." She moved, her chin fell upon her hands, propped up with her elbows on the table. Apparently Edward Dunsack was gazing at the wall beyond her. Her breast gave a single sharp heave. When Nettie looked up her face was flushed. "I wish that I were really a bad woman," she spoke in a low vibrant voice. "What is bad and what is good?"