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Updated: May 14, 2025
If the emery cloth had extended all the way around the wheel he could have taken the manacle off in less time than it had taken Kaiser Bill to lock it on, for the contrivance rivalled a buzzsaw. As it was, he had to stop every minute or two to rearrange the worn emery cloth and bind it in place anew.
"Clean colours we must have," said Redwood, and in one place had a neat horizontal band of squares, in which crimson and purple, orange and lemon, blues and greens, in many hues and many shades, did themselves honour. These squares the giant children should arrange and rearrange to their pleasure.
We're playing into gorgeous luck with these cyclopedias, for everything I need and can't remember is in them. But it certainly was one job to sort those scattered sheets out of the rubbish-pile in the library and rearrange them." "Yes, that was hard work, but it's done now. Come on out into the garden, Allan, and see if our crops have grown any during the night!"
"Well," said the lawyer, who was the first to rearrange his wits, "I'm sure we're all only too delighted to see you again, Squire; and I quite understand your explanation and your own very natural motives in the matter. But I'm afraid I haven't got the hang of everything yet.
Why didn't Gladwyne rearrange the caches afterward? He went back, you know." "They're easily answered. It was some time before I heard of Vernon's death and met the Hudson Bay man in Victoria I'd been away in the North.
You told me you were perfectly delighted with this nurse that she had a thousand perfections and only one fault: you found you never could depend on her wrapping Johnny up half sufficiently while he waited in a chilly chair for her to rearrange the warm bed. You filled up the duplicate of this paper, and sent it back to the hospital by the hand of the nurse.
The way in which Miss Keller wrote her story shows, as nothing else can show, the difficulties she had to overcome. When we write, we can go back over our work, shuffle the pages, interline, rearrange, see how the paragraphs look in proof, and so construct the whole work before the eye, as an architect constructs his plans.
What modern art has to do in the service of culture is so to rearrange the details of modern life, so to reflect it, that it may satisfy the spirit. And what does the spirit need in the face of modern life? The sense of freedom. That naive, rough sense of freedom, which supposes man's will to be limited, if at all, only by a will stronger than his, he can never have again.
Pleasant little rooms, with the cleanest and brightest of rag carpets on the floor; a paper on the walls, cheap enough, but gay with scarlet rosebuds and green leaves, rivalled by the vines and berries on the pretty chintz curtains; chairs of a dozen ages and patterns, but all of them with open, inviting countenances and a hospitable air; a wood fire that looked like a wood fire crackling and sparkling on the hearth, shining and dancing over the ceiling and the floor and the walls, cutting queer capers with the big rocking-chair, which turned into a giant with long arms, and with the little figures on the mantel-shelf, and the books in their cases, softening and glorifying the two grand faces hanging in their frames opposite, and giving just light enough below them to let you read "John Brown" and "Phillips," if you had any occasion to read, and did not know those whom the world knows; and first and last, and through all, as if it loved her, and was loath to part with her for a moment, whether she poked the flame, or straightened a chair, or went out towards the little kitchen to lift a lid and smell a most savory stew, or came back to the supper-table to arrange and rearrange what was already faultless in its cleanliness and simplicity, wherever she went and whatever she did, this firelight fell warm about a woman, large and comfortable and handsome, with a motherly look to her person, and an expression that was all kindness in her comely face and dark, soft eyes, eyes and face and form, though, that might as well have had "Pariah" written all over them, and "leper" stamped on their front, for any good, or beauty, or grace, that people could find in them; for the comely face was a dark face, and the voice, singing an old Methodist hymn, was no Anglo-Saxon treble, but an Anglo-African voice, rich and mellow, with the touch of pathos or sorrow always heard in these tones.
But when they saw the poor little wan face, the blue eyes which looked sadly out at them from this rude cradle, the linen bandages covering the back of the head, they did not laugh any more, but took him and ministered to him, as only kind women can minister to a sick baby. There was not much rest, however, for we had to sort and rearrange our things, and dress ourselves properly.
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