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But the poems of Poe were what made his sickness worth while and put the call upon all his after life. We learn of the critics and professors of English that there are greater lyric poets than Poe.

"Ideal scaffoldings," are odd enough, but when scaffoldings turn out to be "fruits" of an "atmosphere," and monstrous fruits of a "bad transcendental atmosphere," the brain reels in the fumes of mixed metaphors. "Let him mend his pen," cried Poe, "get a bottle of visible ink, come out from the Old Manse, cut Mr. Alcott," and, in fact, write about things less impalpable, as Mr.

But when he was thus discounting his effect Dumas probably had in mind, not Poe, but Cooper, whose observant redskins he mightily admired and whom he frankly imitated in the 'Mohicans of Paris.

I supposed, as a matter of course, that a fleet of vessels would soon pour in, ready to convey the army to Virginia, and as General Grant's orders contemplated my leaving the cavalry, trains, and artillery, behind, I judged Fort McAllister to be the best place for the purpose, and sent my chief-engineer, Colonel Poe, to that fort, to reconnoitre the ground, and to prepare it so as to make a fortified camp large enough to accommodate the vast herd of mules and horses that would thus be left behind.

The only honey that escapes him is that in a hollow too small for him to enter and too deep for his fore-paws to reach the bottom. Poe, in his story of the Gold-Bug, falls into one of his characteristic errors of conscience. The purposes of his plot required that a very large and tall tree should be climbed, and, to be picturesque, a tulip was chosen.

On the marvellous music of Shelley's verse we need not dwell, except to note that he avoids that metronomic beat of rhythm which Edgar Poe introduced into modern lyric measures, as Pope introduced it into the rhyming heroics of his day. Our varied metres are becoming as painfully over-polished as Pope's one metre. Shelley could at need sacrifice smoothness to fitness.

Without stimuli, in one form or another, creative work is impossible, nor indeed the spirit of kindliness and generosity. The fact that some great geniuses have seen their reflection in the goblet too frequently, does not justify Puritanism in attempting to fetter the whole gamut of human emotions. A Byron and a Poe have stirred humanity deeper than all the Puritans can ever hope to do.

He called for a glass of amontillado, and suddenly, beside this pale, dry wine, the lenitive, sweetish stories of the English author were routed, to be replaced by the pitiless revulsives and the grievous irritants of Edgar Allen Poe; the cold nightmares of The Cask of Amontillado, of the man immured in a vault, assailed him; the ordinary placid faces of American and English drinkers who occupied the room, appeared to him to reflect involuntary frightful thoughts, to be harboring instinctive, odious plots.

Seen there in all the gorgeous redness of the evening sunlight, there was something majestic, something perhaps weird and unreal, in the grand and silent figure. "He's white, that's shore!" said Dick Salter. "He looks like a wilderness god," murmured Daniel Poe, in his beard. "Look!" exclaimed Dick Salter. "There's another!"

"Ah! books?" and he peered at a row on the mantel. "Macaulay, I see, and here's Poe: Good, very good why, certainly it is Where did you get this Morland?" and again Peter's glasses went up. "Through that door is your bedroom yes, and the bath. Very charming, I must say. You ought to live very happily here; few young fellows I know have half your comforts."