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Like Keats, he was not quite individual there are echoes, especially of Edgar Poe, in him. But the genuine and authentic contribution is sufficient, and is of the most unmistakable kind.

"Shameful Death" has the same enchanted kind of presentment. We look through a "magic casement opening on the foam" of the old waves of war. Poems of a pure fantasy, unequalled out of Coleridge and Poe, are "The Wind" and "The Blue Closet." Each only lives in fantasy. Motives, and facts, and "story" are unimportant and out of view.

The latter sort is splendidly exemplified by a case in the ancient city of Providence, where in the late forties Edgar Allan Poe used to sojourn often during his unsuccessful wooing of the gifted poetess, Mrs. Whitman.

These pictures are shown on so large a scale that the spiderweb fills the end of the theatre. Then the ant-tragedy does the same. They can be classed as particularly apt hieroglyphics in the sense of chapter thirteen. Their horror and decorative iridescence are of the Poe sort.

I have seen a copy of Poe's poems, published in 1845 by Putnam, inscribed by the author. The volume had been bought for $2,500. Think what that would have meant to Poe himself. Some such thoughts as these twinkled in my head as I held up the Pierian bottle against the light, admired the deep blue of it, and filled my ink-well. And then I took up my pen, which wrote: OLD THOUGHTS FOR CHRISTMAS

It is very probable poor Edgar Poe has had his faults exaggerated by those who suffered from the critical superiority of his intellect; since some of those notices of him which tend most to fix his character as a reprobate, and appear in a laggard way in the English periodicals, were probably written by some of his own countrymen.

Meantime, a Mission had sprung up among the western branch of the nation. In 1829 a young Mohawk, who had been converted in Canada, began the good work and established meetings. Among the early Missionaries the names of Rev. Mr. Poe and Rev. John Clark are especially fragrant, but I have been unable to find satisfactory data until 1840, when Rev. Henry R. Colman was appointed to the Mission.

Edgar Allan Poe is especially artistic in applying this principle of emphasis by initial position. We have already quoted, in another connection, the solemn opening of "The Fall of the House of Usher," with its suggestion of immitigable gloom of setting as the dominant note of the narrative.

In connection with the special character of the tales included in the present sample of modern Brazilian short stories, particularly those by Machado de Assis and Medeiros e Albuquerque it is interesting to keep in mind the popularity of Poe and Hawthorne in South America. The introspection of these men, as of de Maupassant and kindred spirits, appeals to a like characteristic of the Brazilians.

In the old days men were taught to tackle by what is known as "live tackling." I recall especially that earnest coach, Johnny Poe, whose main object in football coaching was to see that the men tackled hard and sure. Poe, without any padding on at all, would let the men dive into him running at full speed, and the men would throw him in a way that seemed as though it would maim him for life.