Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: May 26, 2025
The celebrated tenor singer, Adolphe Nourrit, one of the famous lights of the French stage, who had been a favorite pupil of Garcia, showed great kindness to the widow and her daughter. Anxious to promote the interests of the young girl, he proposed that she should take lessons from Eossini, and that great maestro consented.
So, too, we are told on the same authority, the fourth act of "Les Huguenots," which is the most powerful single act in Meyerbeer's operas, owes its present shape to Nourrit, the most intellectual and creative tenor singer of whom we have record. It was originally designed that the St.
"In the situation in which you have placed yourself, and which resembles that of Duprez, who, on his first appearance at Paris, went to singing with all the voice his lungs would yield, instead of imitating Nourrit, who gave the audience just enough to enchant them, the following, I think, is your proper course to "
Pauline Garcia marries M. Viardot, a Well-known Litterateur. A Tour through Southern Europe. She creates a Distinct Place for herself in the Musical Art. Great Enthusiasm in Germany over her Singing. The Richness of her Art Resources. Sketches of the Tenors, Nourrit and Duprez, and of the Great Barytone, Ronconi. Mine. Viardot and the Music of Meyerbeer.
It was Nourrit who popularized the songs of Schubert, and otherwise softened the French prejudice against modern German music. In private life this great artist was so witty, genial, and refined, that he was a favorite guest in the most distinguished and exclusive salons.
On ne sait pas au juste ce dont il se nourrit. Feu Cuvier etait d'avis que c'etait de l'odeur du cuir des reliures; ce qu'on dit d'etre une nourriture animale fort saine, et peu chere. Il vit bien longtems. Enfin il meure, en laissant a ses heritiers une carte du Salon a Lecture on il avait existe pendant sa vie. On pretend qu'il revient toutes les nuits, apres la mort, visiter le Salon.
I had only that letter from Pleyel which he sent through you it is a month ago or more. Write to the same address, Rue et Hotel Beauveau. Perhaps you did not understand what I said above about my having played for Nourrit. His body was brought from Italy and carried to Paris. There was a Requiem Mass for his soul. I was asked by his friends to play on the organ during the Elevation.
When finally produced at Paris, this opera was as well received as the "Robert." It appears, that, after the first general rehearsal, Nourrit, the tenor, found fault with the sublime music of the fourth act. Meyerbeer returned home in a very unpleasant frame of mind, and told his troubles to the friend with whom he lodged.
It has been more than hinted by friends of the composer Meyerbeer, that, when his life is read between the lines, it will be known that he owes a great debt to Pauline Viardot for suggestions and criticism in one of his greatest operas, as it is well known that he does to the tenor, Adolphe Nourrit, for some of the finest features of "Robert le Diable" and "Les Huguenots." In October, 1842, Mme.
Thus MM. Boitard and Corbie, whose experience extended over forty-five years, state: "Quand une femelle eprouve de l'antipathie pour un male avec lequel on veut l'accoupler, malgre tous les feux de l'amour, malgre l'alpiste et le chenevis dont on la nourrit pour augmenter son ardeur, malgre un emprisonnement de six mois et meme d'un an, elle refuse constamment ses caresses; les avances empressees, les agaceries, les tournoiemens, les tendres roucoulemens, rien ne peut lui plaire ni l'emouvoir; gonflee, boudeuse, blottie dans un coin de sa prison, elle n'en sort que pour boire et manger, ou pour repousser avec une espece de rage des caresses devenues trop pressantes."
Word Of The Day
Others Looking