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Updated: June 29, 2025


'O Larghan Clanbrassil, how sweet is thy sound, To my tender remembrance as Love's sacred ground; For there Marg'ret Caroline first charm'd my sight, And fill'd my young heart with a flutt'ring delight.

"I expect that's Doctor Hammond's girl?" said the Mayor. "No, sir," said Dan. "These are the Hammonds who live over by the bridge. There's just two kids, Marg'ret and Joe, and their father. Joe served the eight o'clock Mass with me one week, you know, Jim, the week you were sick." "Sure," said Jim. "Hammond's a nice feller." Their father scraped his chin with a fat hand.

Marg'ret was sad, the little girls said, and evidently missing them as they missed her, but up to the very night of the dress rehearsal she gave no sign of worry on the subject of a white dress. Mrs.

"Nay, 'twas me as couldn't bear the notion of her," rejoined Tom stoutly. "I'd be hard put-to to do wi' onybody at arter our Betty. Hoo's wick an' 'earty, an' I dunnot want nobry; but if I did have to pick a second missus, it shouldn't be Margaret Hep." "Hoo's reg'lar set in her ways, isn't hoo?" put in old Jack. "Ah, hoo's reg'lar cut out for a single life, Marg'ret is.

"Don't you want to afford the expense, mother?" Alanna whispered in her ear. Mrs. Costello was much touched. "Don't you worry about that, lovey!" said she. The Mayor had presumably returned to his paper, but his absent eyes were fixed far beyond the printed sheet he still held tilted carefully to the light. "Marg'ret Hammond whose girl is that, then?" he asked presently.

It became an ordinary thing, in the Costello house, to hear the little girl earnestly repeating this line to herself at quiet moments, "The lions, oh, the lions!" Teresa and Marg'ret, in their turn, frequently rehearsed a heroic dialogue which began with the stately line, uttered by Marg'ret in the person of a Roman princess: "My slave, why art thou always so happy at thy menial work?"

Costello wondered, how many of the nuns and girls had noticed it? She looked shrewdly from one group to another, studying the different faces, and worried herself with the fancy that certain undertones and quick glances WERE commenting upon the dress. It was a relief when Marg'ret slipped out of it, and, with the other girls, assumed the Greek costume she was to wear in the play.

Costello carefully transferred to the book-case the lamp she had just lifted, dusted her hands together, and turned eyes full of sympathetic interest upon her oldest daughter, Teresa's tragedies were very apt to be of the spirit, and had not the sensational urgency that alarms from the boys or Alanna commanded. "What is it then, darlin'?" said she. "Oh, it's Marg'ret, mother!"

"Are they workin' you too hard, Marg'ret?" Marg'ret's answer was smiling and ready, but Mrs. Costello read more truthfully the color on the little face, and the distress in the bright eyes raised to hers, and sighed as she found a big chair and settled herself contentedly to watch and listen. Marg'ret was wearing Joe's surplice, there was no doubt of that. But, Mrs.

Your father and I had a good talk to-day, Marg'ret," said the Mayor, cordially. "I had to be down by the bridge, and I hunted him up. He'll tell you about it. He's going to lend me a hand at the shop, the way I won't be so busy. 'Tis an awful thing when a man loses his wife," he added soberly a moment later, as they watched the little figure run down the darkening street.

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