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Among his historical works are Expeditio Buckinghamii Ducis , a vindication of the Rochelle expedition, a Life of Henry VIII. , extremely partial to the King, his Autobiography, which gives a brilliant picture of his contemporaries, and of the manners and events of his time, and a somewhat vainglorious account of himself and his doings. He was also the author of some poems of a metaphysical cast.

Bonaparte's contempt, or, more properly speaking, his dislike of literature, displayed itself particularly in the feeling he cherished towards some men of distinguished literary talent. He hated Chenier, and Ducis still more. He could not forgive Chenier for the Republican principles which pervaded his tragedies; and Ducis excited in him; as if instinctively, an involuntary hatred.

She soon succeeded in attracting to her hôtel the best esprit of Paris: Diderot, Suard, Grimm, Comte de Schomberg, Marmontel, D'Alembert, Thomas, Saint-Lambert, Helvétius, Ducis, Bernardin de Saint-Pierre, the Abbés Raynal, Armand, and Morellet, Mme. Geoffrin, Mme. du Deffand, Mme. de Marchais, Mme.

Quod ad me attinet, jam pridem mihi decretum est, neque exercitus neque ducis terga tuta esse. Proinde et honesta mors turpi vita potior; et incolumitas ac decus eodem loco sita sunt: nec inglorium fuerit, in ipso terrarum ac naturae fine cecidisse."

It was a square room wainscotted in the Empire style with white wood. On the walls were engravings and pictures of very poor selection, among them "Mary Stuart listening to Rizzio," by the painter Ducis. Around the room was a sideboard. In the middle was a long table with rounded ends at which about fifteen guests were seated. Conti, mother of the Representative, on his left.

The difficulty Ducis felt about translating Othello in consequence of the importance given to such a vulgar thing as a handkerchief, and his attempt to soften its grossness by making the Moor reiterate 'Le bandeau! le bandeau! may be taken as an example of the difference between la tragedie philosophique and the drama of real life; and the introduction for the first time of the word mouchoir at the Theatre Francais was an era in that romantic- realistic movement of which Hugo is the father and M. Zola the enfant terrible, just as the classicism of the earlier part of the century was emphasised by Talma's refusal to play Greek heroes any longer in a powdered periwig one of the many instances, by the way, of that desire for archaeological accuracy in dress which has distinguished the great actors of our age.

Although the literature of France could boast of many men of great talent, such as La Harpe, who died during the Consulate, Ducis, Bernardin de Saint-Pierre, Chenier, and Lemercier, yet they could not be compared with Lagrange, Laplace, Monge, Fourcroy, Berthollet, and Cuvier, whose labours have so prodigiously extended the limits of human knowledge.

No greater galaxy of talent and genius ever assembled under the old régime than was found there,—David, Lebrun, Lesueur, Grétry, Cherubini, Méhul, J. Chénier, Hoffman, Ducis, Désaugiers, Legouvé, and others. But her life was not without its difficulties. She was always annoyed by the Bonaparte family, who were jealous of her influence over Bonaparte.

We loved good poetry at Cambridge as well as at Oxford; and I have some of yours by heart, though I have put on a red coat. . . . 'O qui canoro blandius Orpheo vocale ducis carmen; shall I go on, sir?" says Mr. Esmond, who, indeed, had read and loved the charming Latin poems of Mr. Addison, as every scholar of that time knew and admired them.

What I have just said of the Senate affords me an opportunity of correcting an error which has frequently been circulated in the chit-chat of Paris. It has erroneously been said of some persons that they refused to become members of the Senate, and among the number have been mentioned M. Ducis, M. de La Fayette, and the Marechal de Rochambeau. The truth is, that no such refusals were ever made.