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Updated: May 6, 2025
More effective than opposition, as the cross bar is more effective for strength than the bar supported on only one side, is Transition, or the same item carried across, or delivered to another item which shall cross a line or space. In the group of peasants in the Cabaret note the use of lines of opposition and transition, in the single figures and when taken in twos.
The sergeant turned to Maguire. "You know these gangs around here, Mack. Who's this guy's girl?" "He's got three or four, sergeant," responded the officer. "I guess this one must be Dutch Annie. Was she all dolled up with about a hundred dollars' worth of ostrich feathers, Burke?" "Yes tall, and some fighter." "That's the one. Her hangout is over there on the corner, in Shultberger's cabaret.
I went first to Farmer Sinclair's; they had often remarked him, but could give me no other information. I then proceeded towards the coast; there was a small public house belonging to Sir Lionel close by the sea shore; never had I seen a more bleak and dreary prospect than that which stretched for miles around this miserable cabaret.
Farrell's, we recognized, as a rather well-known all-night cafe which managed to survive the excise vicissitudes by dint of having no cabaret or entertainment. We finished the dinner in silence, Kennedy turning various schemes over in his mind, and rejecting them one after another. "There's nothing we can do immediately, I suppose," he remarked at length.
Naturally good singer." "Singers, singers, all good singers," remarked Baily, who was at the telephone. "No, not the cabaret; I want night clerk. I mean refreshment clerk or some dog-gone clerk 'at's got food food! I want " "Julius Caesar," announced Perry, turning round from the mirror. "Man of iron will and stern 'termination." "Shut up!" yelled Baily. "Say, iss Mr. Baily.
The governor had come along, you had been questioned, and had been arrested as a Huguenot. It was evident that no time was to be lost and that, if you were to be got out, it must be done quickly. "I hurried away to the cabaret where Jacques and Roger were drinking. We talked the matter over, and agreed that the first thing was to get the four horses out of the town.
Where we looked for it and found it was in the little café or cabaret the cabaret artistique as it was then known in Paris with a flair for the genius the world is so long in discovering, where the young poet read his verses, the young musician interpreted his music, the young artist showed his work in any manner the chance was given him to, to say nothing of the posters he sometimes designed for it and decorated Paris with: theatre and performance and advertisement impossible in any other town or any other atmosphere.
Excellent!" said the man, looking really pleased. "I dared hope as much, when the woman at the cabaret said you were a stranger. What is all this to me? you ask. Well, as I have taken the liberty to read your thoughts, I will be frank with you in regard to my own.
It's not very late. I think we might make another visit to that cabaret and see whether the same thing is going on yet." We rode downtown again and again sauntered in, this time with the theater crowd. Our first visit had been so quiet and unostentatious that the second attracted no attention or comment from the waiters, or anyone else.
But it was soon finished, and all the people the cabaret contained came out, one after the other, in little groups, so that there only remained six in the chamber; one of these six, the man with the sword, took the cabaretier aside, engaging him in discourse more or less serious, whilst the others lit a great fire in the chimney-place a circumstance rendered strange by the fine weather and the heat.
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