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"I've no prejudices not I. I wish to have for son-in-law a duke who wears the Order of the Legion of Honour, and belongs to the Academie Francaise, because that is personal merit. I'm no snob." A gentle, irrepressible laugh broke from the Duke. "What are you laughing at?" said the millionaire, and a sudden lowering gloom overspread his beaming face. "Nothing nothing," said the Duke quietly.

The Colonel's revelations had to be made in a lower tone, while his hostess endeavored to bring back the conversation to the charming reply made by M. Renan to the somewhat insipid address of a member of the Academie. "We sha'n't hear anything more now," said Colette, with a sigh. "Did you understand it, Jacqueline?" "Understand what?" "Why, that story about the bracelet?" "No not all.

In the eloge pronounced upon him at the Paris Academie Des Sciences, of which Halley had been made a member in 1719 it was said, "he possessed all the qualifications which were necessary to please princes who were desirous of instruction, with a great extent of knowledge and a constant presence of mind; his answers were ready, and at the same time pertinent, judicious, polite and sincere."

You have before this, doubtless, divined her to be the wife of that same little man Sara had met on the cliff; and we now formally introduce her as Madame Grandet, wife of Professor Leon Alphonse Grandet, of the Academie des Sciences at Paris, who was now prosecuting his geological studies in New England.

Nay is it not enough to step at once into fame to have been advocated by Béranger to have the poem crowned in the Theatre of the Académie Française?" She stood silent, with drooping head and listless hands, all disappointment and despondency. Presently she looked up. "Where did you learn this?" she asked. I handed her the journal.

With this and the Académie he remained connected till the revolution of 1830. "Le Siège de Corinthe," adapted from his old work, "Maometto II.," was the first opera presented to the Parisian public, and, though admired, did not become a favorite.

There had been a kind of opéra comique in France for many years, a species of musical pantomime which was very popular at the fairs of St. Laurent and St. Gervais. This form of entertainment scarcely came within the province of art, but it served as a starting-point for the history of opéra comique, which was afterwards so brilliant. The success of the Italian company which performed the comic operas of Pergolesi, Jomelli, and others, fired the French composers to emulation, and in 1753 the first French opéra comique, in the strict sense of the word, 'Le Devin du Village, by the great Rousseau, was performed at the Académie de Musique. Musically the work is feeble and characterless, but the contrast which it offered to the stiff and serious works of the tragic composers made it popular. Whatever its faults may be, it is simple and natural, and its tender little melodies fell pleasantly upon ears too well accustomed to the pomposities of Rameau and his school. At first lovers of opéra comique in Paris had to subsist chiefly upon translations from the Italian; but in 1755 'Ninette

Through their influence it was submitted to a committee of the Academie des Sciences; their report was, in substance, that the iron bridge of M. Paine was ingenieusement imagine, that it merited an attempt to execute it, and furnished a new example of the application of a metal which had not yet been sufficiently used on a large scale.

A note communicated to the Academie des Sciences at its session of May 9, 1831, added that the base of the belfry was 3.3 m. square. This permits us to estimate its weight at about 150 tons. This is taken from an engraving published in 1844 by Mr.

Opposite him, on the other side of the table, Countess Martin, having by her side General Lariviere and M. Schmoll, member of the Academie des Inscriptions, caressed with her fan her smooth white shoulders.