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He was fully clothed, though there were signs that his dressing had been done in a hurry. We had already learned that his bed had been slept in, and that the tragic end had come to him in the early morning. One realized the red-hot energy which underlay Holmes's phlegmatic exterior when one saw the sudden change which came over him from the moment that he entered the fatal apartment.

A young fellow passing stopped, as if arrested by the tragic note in her voice, and explained that the woman had left three little children locked up in her tenement while she came to bid some friends on board good-by. He passed on, and Mrs.

In those tragic days of readjustment came Peter Hamilton, as strange to the bald conditions of frontier life as the girl herself. From the beginning there had been between them the barrier of circumstance. Hamilton was poor, Judith the mainstay of a household whose thriftlessness had become a proverb.

It is strange that Hawkins' and Drake's brilliant and tragic careers should have been brought to an end by the same disease within a short time of each other and not many miles apart, and that their mother, the sea, should have claimed them at last in the vicinity of the scene of their first victorious encounter with their lifelong enemies, the Spaniards.

"Not in a general way, perhaps; but to prove the truth of his words he was going to treat Jael worse than Jael treats Sisera." "I was going to slit the picture from the top to the bottom." "And why?" said Mrs Broughton, putting up her hands to heaven in tragic horror. "Just to show Miss Van Siever how little I care about it." "And how little you care about her, too," said Mrs Broughton.

For every passerby Henderson had a quick word of characterization sufficiently amusing, and about many a story which illuminated the social life of the day. It was wonderful how many of this chance company had little "histories" comic, tragic, pitiful, interesting enough for the pages of a novel.

Even when she stumbled slightly he made no movement; but he turned and gazed after her as she went up the steps towards the house, and as he gazed his face worked, his lips muttered words, and his eyes, become almost ferocious in their tragic gloom, were clouded with moisture. Angrily he fastened the boat, angrily he laid by the oars. In everything he did there was violence.

At this tragic and unexpected denouement, Bergenheim, who was getting ready to make his appearance from behind the trees and to interpose his authority, started in full pursuit of the would-be murderer. From the direction he took, he judged that he would try to reach the river by passing over the rock.

It was a strange, tragic existence these two beings led, shut up in the immense castle, from the windows of which Tisza could perceive the gilded domes of Moscow, the superb city in which she would never set her foot, preferring the palace, sad and gloomy as a cell.

The southern theater can never free itself from masks. Comic masks are bearable, but in the case of tragic heroes, the abstract type, the mask, make one impatient. I can laugh with personages of tin and pasteboard: I can only weep with the living, or what resembles them. Abstraction turns easily to caricature; it is apt to engender mere shadows on the wall, mere ghosts and puppets.