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Updated: July 28, 2025
Accordingly, they are very accommodating and complaisant towards vocalists, female and male, for whom they are glad to make matters comfortable; they arrange the tempo, introduce fermatas, ritardandos, accelerandos, transpositions, and, above all, "cuts," whenever and wherever a vocalist chooses to call for such. Whence indeed are they to derive the authority to resist this or that absurd demand?
He brings to his works the enthusiasm without which they can neither be interpreted nor fully understood; and his enthusiasm proves contagious to the orchestra and the singers. He not only rehearses every bar of the orchestral score with minute care, but each of the vocalists has to come to his room and go through his or her part until he is satisfied.
This treatise was published in the same year, and it seems to have attracted at once the attention of the most enlightened masters of singing. That Ferrein was the first to call the attention of vocalists to the mechanical features of tone-production is strongly indicated in the German translation of Tosi's "Observations."
They reflect much credit on the excellent work inspired by the dancing and musical clubs; also on the genius and culture of the vocalists, and the marvelous efficiency of a well-directed co-operative effort. This triumph in a new field, which so increases the possibilities of soul expression, suggests the use of music as a prime factor in all future systems for ethical culture.
Then followed a list of well known operatic vocalists, also Miss This, That, and the other "and Miss Cynthia West." The last half-dozen names were not as yet famous.
"I almost think you should go under an assumed name," Miss Honnor said, presently, with a bit of a laugh. "I dare say the people wouldn't recognise you in ordinary dress. And then, when the amateur vocalists had been going on with their Pretty-Janes and Meet-Me-by-Moonlights, when you gave them 'The Bonnie Earl o' Moray, as you would sing it, I should think amazement would be on most faces.
Among the comparatively few great vocalists born in England, the traditions of Mrs. Elizabeth Billington's singing rank her as by far the greatest. Brought into competition with many brilliant artists from other countries, she held her position unshaken by their rivalry. She came of musical stock.
It was remarked that she seemed to take difficult music from choice, and she could sing fluently at sight rather a rare accomplishment among vocalists of that day. Nothing taxed her powers. Her execution was easy and neat; her shake was true, open, and liquid; and though she preferred brilliant, effective pieces, her refined taste was well known.
In this way more can often be done in getting a clear notion of their characteristic qualities, in a single evening, than by listening to an ordinary amateur, or to such a voice as an otherwise excellent vocal teacher can bring to her work, on many occasions; better one hour listening to a Melba, with her observance of registers, covering, etc., as set forth by the author in this chapter, than a score of vocalists of indifferent, even if not incorrect production.
MacGillivray, the Scottish naturalist, reports that Audubon himself, in conversation, arranged our vocalists in the following order: first, the Mocking-Bird, as unrivalled; then, the Wood-Thrush, Cat-Bird, and Red Thrush; the Rose-Breasted, Pine, and Blue Grosbeak; the Orchard and Golden Oriole; the Tawny and Hermit Thrushes; several Finches, Bachmann's, the White-Crowned, the Indigo, and the Nonpareil; and finally, the Bobolink.
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