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Updated: June 29, 2025
He religiously preserved the scraps of paper, on which he had seen the music of the Stabat-Mater dotted down before his eyes, and brought them with him to France in 1752, at which period he was sent for by the Marquis de Marigny, after an absence of twenty years. Vernet's love for music procured Grétry a hearty welcome, when the young composer came to Paris.
Go, reader, into the country, lift your eyes up towards the azure vault of heaven, observe well the phenomena you then see there, and you will think that a large piece of the canvass lighted by the sun himself has been cut out and placed upon the easel of the artist: or form your hand into a tube, so that, by looking through it, you will only be able to see a limited space of the canvass painted by nature, and you will at once fancy that you are gazing on one of Vernet's pictures which has been taken from off his easel and placed in the sky.
"Monsieur, what did I tell you?" she exclaimed. "You have eaten too much. While you were away, I said to myself, 'It is Mme. Vernet's birthday. They will urge him at table and he will come back sick. Well, go to bed. I will make camomile tea for you." The professor walked through the garden into a pavilion at one of its corners, where he lived alone in order not to be disturbed by his wife.
Where did you take the cab?" she asked. "In front of a bridge, I think," he replied. "Was it still daylight?" she asked. "Almost," he said. "Then you did not go to Madame Vernet's!" exclaimed Madame Adolphe. "Why did you not come to Madame Vernet's?" asked his wife. Madame Marmus, having come to the door on the tips of her toes, had heard Madame Adolphe's exclamation.
Sailors and their wives crowded around Wilkie's "Chelsea Pensioners," when first exhibited; French soldiers enjoy the minutiae of Vernet's battle-pieces; a lover can judge of his betrothed's miniature; and the most unrefined sportsman will point out the niceties of breed in one of Landseer's dogs.
He was not idle, but such were his subjects that he was shut out of the Louvre. He, however, executed many paintings, which subsequently became celebrated. Disgusted with the treatment he received, he journeyed with his father into Italy. The Louvre continued shut against Vernet's pictures, but the peers took up his cause with great unanimity and enthusiasm.
The celebrated Müller made an engraving after it, but it must be understood that the dark shadows of an engraving spoiled the whole effect of such a picture. Soon after my return from Flanders, the portrait I had mentioned, and several other works of mine, were the cause of Joseph Vernet's decision to propose me as a member of the Royal Academy of Painting.
Billington as Saint Cecilia, Gilbert Stuart's Washington, Horace Vernet's Siege of Saragossa, Raeburn's Portrait of Van Brugh Livingston; in the Stuart Room, Boughton's Pilgrims Going to Church, Schreyer's The Attack, Inness's Hackensack Meadows, Sunset, Troyon's Cow and Sheep, Detaille's Chasseur of the French Imperial Guard, Bougereau's The Secret, and Weir's View of the Highlands from West Point.
They were all bad paintings. There is nothing safely admirable, I find, but the old masters. All those battles of all famous French generals, from Charles Hartel to Napoleon, and the battles in Algiers, by Horace Yernet, are wholly to be snuffed at. In painting, as in theology, age is the criterion of merit. Yet Vernet's paintings, though decried by M. le Directeur, I admired, and told him so.
If you have seen Vernet's painting you can never forget it, and if there were nothing else to see at Versailles but this one picture you would be repaid, and amply repaid, for going out from Paris to view it. Before beginning his great canvas Fortuny was advised to go to Versailles and see the Vernet masterpiece. He went and spent three days studying it in detail. He turned away discouraged.
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