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Updated: May 5, 2025


An instant's reflection was sufficient to convince Marguerite that the whilom actress of the Varietes Theatre was obviously ignorant of the events to which Chauvelin had been alluding: she was, therefore, of no serious consequence, a mere tool, mayhap, in the ex-ambassador's hands. At the present moment she looked like a silly child who does not understand the conversation of the "grown-ups."

No one had dropped a single word concerning the performance at the Varietes, at which the good Mme Hugon had not understood any of the allusions. The ladies knew the piece but said nothing about it, and with that they plunged into the realm of sentiment and began discussing the masters in a tone of refined and ecstatical admiration.

Now he went along without any unprofessional antics, biting the tip of a smoked-out cigar, which he had picked up off the pavement in sheer instinct, retained from the old times when he had used to rush in, the foremost of la queue, into the forsaken theaters of Bouffes or of Varietes in search for those odds and ends which the departed audience might have left behind them one of the favorite modes of seeking a livelihood with the Parisian night-birds.

Muffat waited, twirling a teaspoon between his fingers. Then the countess addressed her husband: "Isn't Monsieur Steiner with that singer at the Varietes, that Nana?" "Nana, that's the name! A horrible woman!" cried Mme Hugon with growing annoyance. "And they are expecting her at La Mignotte. I've heard all about it from the gardener.

It is some years since I heard him." "You are very malicious, Marianne," said the duke. "Let me steal this happy, fleeting hour. I am very happy." "You are happy?" "Profoundly happy, and simply because I am near you, listening to you and looking at you " "My poor Job," she said, still laughing, "would you like me to sing you the refrain that we heard at the Variétés?"

Besides this, he asked me to compose a chorus for a vaudeville entitled La Descente de la Courtille, which was to be played at the Varietes during the carnival. This was a second opening. My friends now strongly advised me to write something small in the way of songs, which I could offer to popular singers for concert purposes. Both Lehrs and Anders produced words for these.

But interrupting himself, he returned to the subject of tomorrow's supper. "What's so tiresome of those shows is that it's always the same set of women. One wants a novelty. Do try and invent a new girl. By Jove, happy thought! I'll go and beseech that stout man to bring the woman he was trotting about the other evening at the Varietes."

"M. Darwin continue: 'Aucune distinction absolue n'a été et ne peut être établie entre les espèces et les variétés. Je vous ai déj

When the music was over, and everybody decently quiet, the concert began. "Le Camarade Tollot, of the Théâtre des Variétés de Paris will recite 'Le Dernier Drapeau," shouted the announcer. Le Camarade Tollot walked on the stage and bowed, a big, important young man with a lion's mane of dark hair.

However, the young men whom Chupin was watching were far from suspecting that they were under surveillance. M. Wilkie came out first, talking very loud, as often happens when a man has just partaken of a good dinner, and is blessed with an excellent digestion. "Come, Coralth, my good fellow, you won't desert me in this way? I have a box for the Varietes, and you must go with me.

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