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Updated: June 4, 2025


But the octogenarian egotist has something to tell about beside herself. Here is a passage of interest to the student of Shakspearian localities, and bearing on a matter in dispute from the days of Malone and Chalmers.

Was there ever a great thing whose origin was not in some doubt? If so with the Iliad, with Platonic Dialogues, with Shakspearian Plays, how naturally so with Chess!

Scott, among British novelists, is, perhaps, in this respect most Shakspearian, though the Colonel Esmond of Thackeray is not to be forgotten; but even Scott's Dandie Dinmonts, or gentlemen in the rough, sparkle better than his polished diamonds.

The story of Macbeth, which is, yet is not, the Shakspearian drama, and accordingly takes quite a curious distinct flow of its own, like a new and imperfect version of something already familiarly known, is the only episode of secular history that has any reality before we come, in the next generation, to herself and her King.

Nevertheless, I seem to myself to have lighted on a rich and little-cultivated corner; imagining that the subject is a good one, because still untouched, founded on facts, and with amplifiable variations that border on the probable. He that lionizes Stratford-on-Avon, will remember in one of the Shakspearian museums of that classic town, the pictured trance of hapless

And this is precisely the blunder into which the foolish forger of Vortigern, &c., has fallen. He does not indeed directly mention guineas; but indirectly and virtually he does, by repeatedly giving us accounts imputed to Shakspearian contemporaries, in which the sum total amounts to 5L 5s.; or to 26L 5s.; or, again, to 17L 17s. 6d. A man is careful to subscribe 14L 14s. and so forth.

It happens that Lear was one of the few Shakspearian dramas which had kept the stage unaltered. But it is easy to see a mercenary motive in such an artifice as this. Mr.

White has been bitten by the oestrum of Shakspearian pronunciation that he becomes thoroughly contradictory of himself, especially after he has taken up the notion that "Much Ado about Nothing" is "Much Ado about Noting," and that the th was not sounded in the England of Shakspeare. After that, his theory of rhetorical variety seems to become that of Geoffroy, "dire, redire, et se contredire."

Who cares for that, so thou gain aught wider and nobler? Never mind the taunt of Boswellism: the devotion may easily be greater than the wretched pride which is guarding its own skirts. Be another: not thyself, but a Platonist; not a soul, but a Christian; not a naturalist, but a Cartesian; not a poet, but a Shakspearian.

In place of the blank, black factory wall, there is the low wall of some Italian Campo Santo, its painted sides more precious than marbles or gold could have made them; in place of the dull and heavy stone of the Exchange, the glowing mosaics of some southern cathedral; in place of the factory bell and the rush into the steaming and dirty workroom, the bell of a convent on Fiesole, and the slow walk through its cool cloisters; in place of the dead files of uniform ugly houses, Venetian palaces, with the water at their base, reflecting the colors which Giorgione and Titian, housepainters at Venice, left upon their stones; in place of the racket of the street, the quiet greenness of an English lane, or the inaccessible ice and glory of a far-off mountain summit; in place of the burnt waste of fields covered with ashes and coal-dust, the burning stretch of the desert with the Sphinx looking out over it century after century; in place of the shower coming down through the dirty air to wash the dirty roofs, a storm breaking over the sea-shore rocks, or beating down on the broken wreck; instead of the drabbled calico of the factory girl and her face old before its time, the satins of Vandyck's beauties, and the fair looks of Sir Peter Lely's heroines; instead of Manchester mayors and masters of factories, Tintoret's noble Venetian counsellors and doges, and Titian's Shakspearian men.

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