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Updated: June 4, 2025


For he is, without an exception, the highest-minded, the most independent-spirited, most original, spiritual, classical, talented, the most thoroughly Shakspearian, if not Miltonic, and at the same time the most disgustingly-unappreciated dog I know. But, sir, I have not the vanity to attempt to pass for Slyme.

He is Shakspearian in going all lengths with Nature as he found her, not blinking the fact of evil, yet finding a "soul of goodness" in it, and, at the same time, never compromising the worth of noble and generous qualities. His young and handsome Medoro is a pitiless slayer of his enemies; but they were his master's enemies, and he would have lost his life, even to preserve his dead body.

The consequence, however, of this Shakspearian fancy, of placing characters of passion in positions where they must split the ears of the groundlings, is, that it has become an English article of faith, that without some prodigious explosions, calling out the whole strength of the actor's lungs, the character falls dead.

Nevertheless, I seem to myself to have lighted on a rich and little-cultivated corner; imagining that the subject is a good one, because still untouched, founded on facts, and with amplifiable variations that border on the probable. He that lionizes Stratford-on-Avon, will remember in one of the Shakspearian museums of that classic town, the pictured trance of hapless

There were a number of books on the table, and, looking into them, I found that every one had some reference, more or less immediate, to her Shakspearian theory, a volume of Raleigh's "History of the World," a volume of Montaigne, a volume of Lord Bacon's letters, a volume of Shakspeare's plays; and on another table lay a large roll of manuscript, which I presume to have been a portion of her work.

The propensity of lawyers for the stage, lingered amongst barristers on Circuit, to a comparatively recent date. 'Old stagers' of the Home and Western Circuits, can recall how the juniors of their briefless and bagless days used to entertain the natives of Guildford and Exeter with Shakspearian performances.

Romeo is more than a mortal lover, and Mercutio more than a mortal wit; the kings in the Shakspearian world are more kingly than earthly sovereigns; Rosalind's laughter was never heard save in the Forest of Arden. His madmen seem to have eaten of some "strange root." No such boon companion as Falstaff ever heard chimes at midnight.

The first was a series of marks called the "Devil's footsteps." These were patches of sand in the pastures, where no grass grew, where even the low-bush blackberry, the "dewberry," as our Southern neighbors call it, in prettier and more Shakspearian language, did not spread its clinging creepers, where even the pale, dry, sadly-sweet "everlasting" could not grow, but all was bare and blasted.

"Orsino, by Mr. Barrymore." What a full Shakspearian sound it carries! how fresh to memory arise the image, and the manner, of the gentle actor! Those who have only seen Mrs. Jordan within the last ten or fifteen years, can have no adequate notion of her performance of such parts as Ophelia; Helena, in All's Well that Ends Well; and Viola in this play.

Jamieson so admirably to the full development of the Shakspearian heroines, would have been as much wasted, nay, would have been defeated, and interrupted the blind agencies of fate, just in the same way as it would injure the shadowy grandeur of a ghost to individualize it too much.

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