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In one of the large museums is a room in which are kept the great liberator's clothing, saddle, boots and spears and these things are as sacred to them as the Ark of the Covenant was to the Jews. In this same room is a portrait of Washington upon which is the inscription: "This picture of the liberator of North America is sent by his adopted son to him who acquired equal glory in South America."

"There seems to be a great deal to see in those London museums, Uncle Bob," Jean gasped. "I am afraid you will be more convinced of that fact than ever when you get there," chuckled Uncle Bob. "But to return to Giusippe's mosaics.

In this house, designed as a gift, primarily, to the people of his adoptive city and native State, the urgency of whose release from the bondage of ugliness he was in a position to measure in this museum of museums, a palace of art which was to show for compact as a Greek temple was compact, a receptacle of treasures sifted to positive sanctity, his spirit to-day almost altogether lived, making up, as he would have said, for lost time and haunting the portico in anticipation of the final rites.

No. I chose this particular spot in this particular wood, because I had reason to believe it to be a somewhat neglected bit of what men call "property," because the bramble bushes were unbroken, the fallen leaves untrodden, the hyacinths and ragged-robins ungathered by human feet and hands, because the old fern-fronds faded below the fresh green plumes, because the violets ripened seed, because the trees were unmarked by woodmen and overpopulated with birds, and the water-rat sat up in the sun with crossed paws and without a thought of danger, because, in short, no birds'-nesting, fern-digging, flower-picking, leaf-mould-wanting, vermin-hunting creatures ever came hither to replenish their ferneries, gardens, cages, markets, and museums.

The jewels of art he left us are like those which nations store in the sanctuaries of their museums and galleries to be admired, the longer they are studied. But we must look to Tolstoi for the huge and towering monuments, hewn in massive granite, to be put upon some cross way of nations as an object of wonder and admiration for all who come from the four winds of heaven.

It makes us smile to see birds, like the magpie, with a mania for this collecting but only monkeyish beings could reverence museums as we do, and pile such heterogeneous trifles and quantities in them. Old furniture, egg-shells, watches, bits of stone. . . . And next door, a "menagerie."

We rode, and walked, and shopped, and visited, and attended museums, and lectures, and meetings, and yet I fancied Agnes grew sadder and sadder; and Mr. Bernard, when I saw him now and then, for he did not come much to the house, looked like a man who was bravely struggling against some misfortune, which, in spite of his efforts, was well nigh crushing him.

We pulled aside these trappings of gloom, and there were two iron cots, not over a foot and a half wide, about the shape and feeling of an ironing-board, covered with what appeared to be gray army blankets, I looked to see "U.S." stamped on them. I have seen them in museums at home. I gazed at my companion in perfect dismay. "I shall not present a single letter of introduction," I wailed.

At Lille the municipal authorities first got together a few pictures in the convent of the Recollets, and Watteau the painter was deputed to draw up a catalogue. On the 12th May, 1795, the collection consisted of 583 pictures and 58 engravings. On the 1st September, 1801, the consuls decreed the formation of departmental museums and distribution of public art treasures.

We now very generally recognise in Great Britain, as in other parts of the civilised world, the value and importance of public "museums" in the sense of "repositories of collections of objects of ancient and modern art and of natural history."