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When he went home and sat down to dinner his wife, Nastasya Ivanovna, said suddenly: "Oh yes, I was almost forgetting! Nina Sergeyevna came to see me yesterday and begged for your interest on behalf of a young man. I am told there is a vacancy in our Home. . . ." "Yes, but the post has already been promised to someone else," said the director, and he frowned.

It was a holiday. It was sultry indoors, while in the street the wind whirled the dust round and round, and blew people's hats off. It was a thirsty day, and Gurov often went into the pavilion, and pressed Anna Sergeyevna to have syrup and water or an ice. One did not know what to do with oneself.

You can read this book, of course, but don't put too much faith in it." Tears trickled down Lida's face again. She turned away and suddenly burst into such loud sobs, that Kostya started and jumped up from his seat in great confusion. "I want to go home," she said, "to papa and to nurse." Sasha cried too. Kostya went upstairs to his own room, and spoke on the telephone to Yulia Sergeyevna.

Had there been anything beautiful, poetical, or edifying or simply interesting in his relations with Anna Sergeyevna? And there was nothing for him but to talk vaguely of love, of woman, and no one guessed what it meant; only his wife twitched her black eyebrows, and said: "The part of a lady-killer does not suit you at all, Dimitri."

When Laptev and his wife, in a black dress with a long train, already looking not a girl but a married woman, said good-bye to Nina Fyodorovna, the invalid's face worked, but there was no tear in her dry eyes. She said: "If which God forbid I should die, take care of my little girls." "Oh, I promise!" answered Yulia Sergeyevna, and her lips and eyelids began quivering too.

He had succeeded in going abroad, and now he was resting after the journey and looking forward to another visit in the spring to England, which he had very much liked. And Yulia Sergeyevna had grown used to her sorrow, and had left off going to the lodge to cry. That winter she had given up driving out shopping, had given up the theatres and concerts, and had stayed at home.

If he were to send her a note it might fall into her husband's hands, and then it might ruin everything. The best thing was to trust to chance. And he kept walking up and down the street by the fence, waiting for the chance. He saw a beggar go in at the gate and dogs fly at him; then an hour later he heard a piano, and the sounds were faint and indistinct. Probably it was Anna Sergeyevna playing.

"There's no return of the symptoms, but every day I notice she grows weaker and weaker, and is wasting before my eyes. I don't understand what's the matter with her." "Oh dear! And how strong she used to be, plump and rosy!" said Yulia Sergeyevna after a moment's silence. "Every one here used to call her the Moscow lady. How she used to laugh!

It was clear that that dog and he were prevented from leaving the yard by the same thing; the habit of bondage, of servitude. . . . At midday next morning he went to see his wife, and that he might not be dull, asked Yartsev to go with him. Yulia Sergeyevna was staying in a summer villa at Butovo, and he had not been to see her for five days.

Coils of perfectly pink smoke from the funnels floated over the copse, and two windows in the last compartment flashed so brilliantly in the sun, that it hurt their eyes to look at it. "Tea-time!" said Yulia Sergeyevna, getting up. She had grown somewhat stouter of late, and her movements were already a little matronly, a little indolent.