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Updated: June 11, 2025
Mais sa demande ne fut pas agree et il apprit, la veritable origine de ce 'Khoubilkhan. Le Bouddha infiniment resplendissant posa alors sa main sur la tete de celui-ci et dit 'Fils d'illustre origine!
FERIA. That he has been arrested By the marquis! ALVA. Yes. PARMA. And wherefore? What's the cause? ALVA. Wherefore? That no one knows, except the king And Marquis Posa. PARMA. And without the warrant Of the assembled Cortes of the Realm? FERIA. That man shall suffer, who has lent a hand To infringe the nation's rights. ALVA. And so say I! MEDINA SIDONIA. And I! THE OTHER GRANDEES. And all of us!
Then he becomes suspicious of Domingo and Alva and longs for an honest man to tell him the truth. And when the man appears the king is most surprisingly open-minded. 'This fire', he says to Posa, Is admirable. You would fain do good, Just how you do it, patriot and sage Can little care.
Here the pupils learn to speak of our unique Schiller with the superciliousness of prigs; here they are taught to smile at the noblest and most German of his works at the Marquis of Posa, at Max and Thekla at these smiles German genius becomes incensed and a worthier posterity will blush.
The uppermost thought of Schiller, then, was to win sympathy for freedom and the rights of man; yet in 'William Tell' we have nothing to do with any species of cloud-born idealism. The bearers of the message are not fantastic dreamers, like Posa; they do not call themselves ambassadors of all mankind, or citizens of the centuries to come.
Tom F and I threw some dice for a pair of braces for Arthur, which we presented in due form; and we had some shots at the targets mine were eminently unsuccessful. 'Last night we had a great treat. Emil Devrient, who has been acting in London, you know, came back, and acted Marquis Posa in "Don Carlos." The play acts very much better than it reads.
All Europe may condemn me, Europe may overwhelm me with its curse, But I deserved his thanks. DOMINGO. What spell is this? KING. And, say, for whom did he desert me thus? A boy, my son? Oh, no, believe it not! A Posa would not perish for a boy; The scanty flame of friendship could not fill A Posa's heart. It beat for human kind.
In the background of the chamber are some officers, confined with him. The MARQUIS POSA enters, unobserved by him, and whispers to the officers, who immediately withdraw. He himself steps close up to CARLOS, and looks at him for a few minutes in silent sorrow. At last he makes a motion which awakens him out of his stupor. CARLOS rises, and seeing the MARQUIS, starts back.
The truth is that the soul, pulse, blood and nerves of Carlos are simply Schiller's own. There is no other creation of his into which he put so much of himself. That feeling of dark despair and dead ambition to which Carlos gives expression in his first dialogue with Posa is but a poetic echo of actual experiences.
Do what no woman e'er has done before thee, And what no woman, after thee, can equal. I ask of thee an unexampled favor. Grant me upon my knees I ask of thee Grant me two moments with the queen, my mother! The former. MARQUIS POSA rushes in; behind him two Officers of the Queen's Guard. Say, what has he confessed? Believe him not! By all that's holy He is mad! He raves! Oh, listen to him not!
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