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Thy picture is immortal, and thou, that hast but a chest to sit on, art a king in thy most royal art. Viva, il maestro! Viva!" At this unexpected burst the painter, with all the abandon of his nation, flung himself on Gerard's neck. "They said it was a maniac's dream," he sobbed. "Maniacs themselves! no, idiots!" shouted Gerard. "Generous stranger!

Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, maestro di color che sanno. Limit of the diaphane in.

"But whose is it?" said Guidobaldo, impatiently, casting his eyes over the gathered group in the background of apprentices and artists. "Maestro Benedetto, I pray you, the name of the artist; I pray you, quick!" "It is marked number eleven, my lord," answered the master-potter. "Ho, you who reply to that number, stand out and give your name. My lord duke has chosen your work.

She turned to Milling, the happy exultation that had lit her eyes suddenly quenched. "Ask the Maestro kindly to 'phone Miss Lermontof that I shall be ready at eleven," she said quietly. In some curious way this unlooked-for upset to her plans seemed to have cast a shadow across her path.

He has taken in the whole situation Count Nobili in the middle of the floor flushed agitated furious at this interruption; Enrica revived conscious blushing at his side. The investigation is so perfectly satisfactory that Maestro Guglielmi cannot suppress a grin of delight.

And because he took much pleasure in matters of architecture, he made for the citizens of that country a number of designs of buildings and adornments for their city, such as the two doors of S. Rocco in stone, and the ornament of grey-stone that was added to the panel-picture of Maestro Luca in S. Girolamo; and he designed an ornament in the Abbey of Cipriano d' Anghiari, and another for the Company of the Trinit

The birthday one about the roses. You see, the Maestro gave it to me on my birthday, because he said he thought you didn't need it any more. But you're here, and you do. It's your song, and I oughtn't to have it. So I came to give it back to you," said Kirk. "I see," said Martin. "So please take it," Kirk pursued, quite as though he had it in his pocket, "and I'll try to forget it."

"I thought," said the Maestro, "that the other boy would not leave his sister and his father." He roused himself suddenly. "Perhaps I do Ken injustice. I want to meet the gallant commander of the Flying Dutchman. It seems absurd that such close neighbors have not yet met. Bring him and Felicia, when you come again. We'll drink to the success of the Sturgis Water Line.

What wouldst thou with it?" "What would I, maestro?" exclaimed the alarmed youth, hastily removing his sketch from the extended hand of the painter, "Finish the subject of course, and place this wonderful old head upon the magnificent form to which it belongs."

Toscanini have occupied an apartment in the Astor the same suite of four smallish rooms. The place is furnished by the hotel, but the Maestro always brings his beloved knickknacks his miniature of Beethoven, his Wagner and Verdi manuscripts, his family photographs. He has no valet and dislikes being pawed by barbers. He shaves himself, and Mrs. Toscanini or one of the daughters cuts his hair.