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Updated: June 10, 2025
The blood of my friends is on that man's head." "I will finish what I have to say," pursued Merthyr. "When Beppo had related as much as he could make out from his sweetheart's translation, I went straight to the duchess. She is an Austrian, and a good and reasonable woman. She informed me that a letter addressed by Countess Anna to Countess d'Isorella fell into her hands this night.
She said that she understood. She got away to her room like an insect carrying a load thrice its own size. All that she could really gather from Agostino's words was, that she felt herself rocking in a tower, and that Violetta d'Isorella was beautiful. She had striven hard to listen to him with her wits alone, and her sensations subsequently revenged themselves in this fashion.
You would prevent her singing in public places you, Countess d'Isorella, because you do not forgive her marriage to Count Ammiani; you, Irma, to spite her for her voice. You would hiss her out of hearing, you two miserable creatures. Not another soldo for you! Not one! and to-morrow, countess, I will see my lawyer. Irma, begone, and shriek to your wardrobe!
"Gifted by nature, I can acknowledge," said Irma; "but devoured by vanity a perfect slave to the appetite for praise; ready to forfeit anything for flattery! Poor signor Antonio-Pericles! he knows her." And now Count Ammiani, persuaded to reason by his mother, had given her up. There was nothing more positive, for Irma had seen him in the society of Countess Violetta d'Isorella.
He succeeded in extracting from Anna hints of the fact that she had paid a large sum of her own money to Countess d'Isorella for secrets connected with the Bergamasc and Brescian rising. "We were under a mutual oath to be silent, but if one has broken it the other cannot; so I confess it to you, dearest good brother. I did this for my country at my personal sacrifice."
Why did not conspirators like these two take advantage of the amnesty? Why were they not in Rome? Their Chief was in Rome; their friends were in Rome. Why were they here? A report, coming from Countess d'Isorella, said that they had quarrelled with their friends, and were living for love alone.
It happened that Countess d'Isorella did not come. Luigi, in despair, was the hearer of a quick question and answer dialogue, in the obscure German tongue, between Anna von Lenkenstein and Irma di Karski; but a happy peep between the hanging curtains gave him sight of a letter passing from Anna's hands to Irma's. Anna quitted her.
Scandal was busy concerning the two, when Violetta d'Asola, the youthfullest widow in Lombardy and the loveliest woman, gave her hand to Count d'Isorella, who took it without question of the boy Ammiani. Carlo's mother assisted in that arrangement; a maternal plot, for which he could thank her only after he had seen Vittoria, and then had heard the buzz of whispers at Violetta's name.
On the following night Vittoria was to sing at a concert in the Duchess of Graatli's great saloon, and the duchess had humoured Pericles by consenting to his preposterous request that his spy should have an opportunity of hearing Countess d'Isorella and Irma di Karski in private conversation together, to discover whether there was any plot of any sort to vex the evening's entertainment; as the jealous spite of those two women, Pericles said, was equal to any devilry on earth.
Kinsky!" the count turned in the doorway to address him by the title of his regiment; "here; show me the house inhabited by the Countess d'Isorella during the revolt." Wilfrid followed them to the end of the street, pointing his finger to the house, and saluted. "An Englishman did me the favour from pure eccentricity, of course to save my life on that exact spot, General," said the count.
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