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Updated: May 10, 2025
Then look at Virginie Morrissette, that put her brother's eyes out quarrelling she's to play Mary Magdalene." "I could fit the parts better," said the groom. "Of course. You'd have played St. John," said the saddler "or, maybe, Christus himself!" "I'd have Paulette Dubois play Mary the sinner." "Magdalene repented, and knelt at the foot of the cross.
"No," answers the disciple; "on his cross our Christus spoke again about another experience for men. By his side was Dysmas, the crucified robber, grieving for his faults and asking comfort. When the cross pain and thirst were over, our Lord replied, the outlaw should walk with him among the bowers of the beautiful Paradise beyond this world's horizon. It was enough.
You, Sancho, shall go partly as a lawyer, partly as a captain, for, in the island I am giving you, arms are needed as much as letters, and letters as much as arms." "Of letters I know but little," said Sancho, "for I don't even know the A B C; but it is enough for me to have the Christus in my memory to be a good governor.
Will you let me see that volume of Gregory which contains the 'Christus Patiens'? Send it by any boy on the heath, and I will remunerate him for the walk and the burden, and thank you besides. Oh, don't be afraid!
It cannot be possible that Claudia will thrust thee, her own daughter, forth from her door, simply because thou hast become a follower of Christus. No. It is only a bad dream." That Martius was deeply in earnest could be seen from his clenched hands, where the nails sank into the flesh, from the pallor of his cheeks and the sorrow in his eyes. "Neither can I believe it.
Duty might assume a new, a terrible, and an unlooked-for form; but its essential and spiritual part the conviction of what a man owes to God, to his fellow-men, and to himself became only more imperious when the call to arms was heard: Christus ad arma vocat. Will Gladstone loved peace, and hated war with his whole heart.
Besides the "Faust" symphony, he composed during this period the twelve symphonic poems, thus originating a new and highly important musical form, which may be said to bear, in their liberation from pedantry, the same relation to the set symphony that the music drama does to opera; the "Rhapsodies Hongroises;" his piano sonata and concertos; the "Graner Messe;" and the beginnings of his "Christus" and "Legend of the Holy Elizabeth."
Sanguis mane in te, Sicut Christus fuit in se; Sanguis mane in tua vena Sicut Christus in sua poena; Sanguis mane fixus, Sicut Christus quando fuit crucifixus, Jesus, that was of a Virgin born, Was pricked both with nail and thorn; It neither wealed nor belled, rankled nor boned In the name of Jesus no more shall this. Or, thus:
This is an office of the sepulcher, and has five personages: an angel, the guardian of the tomb and the three Maries. The drama of the wise and foolish virgins, which was thoroughly examined by M. Magnin and by Coussemaker after him, is simple in construction. It begins with a chorus in Latin, the theme of which is indicated by the first words: "Adest sponsus qui est Christus: vigilate, virgines."
Addressed, it is believed, to her confessor, F. Pedro Ibanez. See Life, ch. xxvii. See Life, ch. xxxi. section 15. The Saint is supposed to refer to the troubles she endured during the foundation of the monastery of St. Joseph. Gal. ii. 20: "Vivo autem, jam non ego; vivit vero in me Christus." Relation III. Of Various Graces Granted to the Saint from the Year 1568 to Inclusive.
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