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Updated: June 3, 2025
Durchlaucht had shot out Generals and Divisions, Brentano, Wehla, this General and then that, to intercept Wunsch: these the fiery Wunsch almost as if they had been combustible material coming to quench fire repels and dashes back, in a wonderful manner, General after General of them.
Here Patterson, take this box, and letter to Mr. Endicott, and if satisfactory, carry them to the packing counter. Shipping address is in the letter. Hurry up, my lad. Sit down, Miss Brentano." "Thank you, I am not tired. Mr. Mansfield, have you any good news for me?" "You mean those etchings; or the designs for the Christmas cards? Have not heard a word, pro or con.
"General Darrington has been robbed and murdered, and I have telegraphic orders to arrest and hold a woman named Beryl Brentano, who corresponds in every respect with the description of the person suspected of having committed the crime."
"I am Beryl Brentano, yes; but there is some blunder, some mistake. How dare you annoy me? Arrest me? Me!" "Do not make a scene. My instructions are to deal with you as gently as possible. Better come quietly into the station near, and I will read you the warrant, otherwise I shall be obliged to use force. You see I have two assistants yonder." "Arrested for what? By whom?"
The oldest form of the word is found in the Codex Annales Fuldenses, which goes back to the year 858, and was first applied to the region around the modern Kempten near Bingen. "Lei" means a rock; "Loreley" means then "Elbfels." And what Brentano and his followers have done is to apply the name of a place to a person.
"Don't be too sure," cautioned the other, "it is not all cleared up yet." "But I feel sure," she insisted. "Brentano was too clever to do anything half way." "He certainly was a star," Jack admitted. "But I hope he will not insist upon keeping up the correspondence with Cora. He might give us the hoo-doo." They were soon at their dock.
The next point of criticism concerns the relation of content and object. The reference of thoughts to objects is not, I believe, the simple direct essential thing that Brentano and Meinong represent it as being. It seems to me to be derivative, and to consist largely in BELIEFS: beliefs that what constitutes the thought is connected with various other elements which together make up the object.
Heinrich von Kleist, who committed suicide, left the finest-spirited and most delightful dramas. Ludwig Achim von Arnim, like Tieck, cultivated the older German Saga; his only fault was that, led away by the richness of his imagination, he overcolored his descriptions. Aided by Brentano, he collected the finest of the popular ballads of Germany in "des Enaben Wunderhorn."
Imaginative as Brentano was, he rarely rose to such heights as in this and the next, "Märchen vom Murmelthier," in which Frau Lureley continues her great work of love and kindness. She rights all wrongs, rewards the just, corrects the unjust, and leads a most remarkable life whether among the poor on land or in her element in the water.
And as to the contents of Brentano's ballad, there is precious little in it that resembles Heine's ballad, aside from the name of the heroine, and even here the similarity is far from striking. And yet, despite all this, commentators continue to say that Heine drew the initial inspiration for his "Lorelei" from Brentano.
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