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All this time he was doing fine work in Italy and for Italy, besides receiving orders for pictures from France, Holland, Germany, Spain, and England, for his fame had reached throughout the world. Besides leaving many paintings behind him when he died, he left half a hundred etchings; also a more precise record of his work than most artists have left.

"Maybe he'd a miller's thumb," Jan added, stretching out his own, and smiling at the droll idea. "Do 'ee know what ETCHINGS be, then, Master Swift?" "A kind of picture that's scratched on a piece of copper with needles, and costs a lot of money to print," said Master Swift, dryly; and he turned his broad back and went out.

Clover's wedding presents had furnished part of the rugs and etchings and bits of china which ornamented the room, but Elsie's, who had married into a "present-giving connection," as her sister Johnnie called it, did even more.

There was Williams, immaculate of costume, who designed automobile bodies and had an office on Broadway. There was Wederslen, the art-critic of the New York Daily News, a man whom all three of us held in peculiar abhorrence because he persisted in ignoring Mac's etchings. There was Arber, rather short of stature and rather long of lip, an Irishman who, miraculous to state, admired Burns.

"I saw Macmillan again before leaving, and now he is for bringing out the new edition of the 'Painter's Camp' in May. It will be a pretty little book, but I can't get Macmillan to go to the expense about illustrations. Colnaghi will publish etchings for me, and after all the hints and instructions received from Haden, I feel quite sure that I shall succeed in etching.

This skillful combination seemed to complete the startling illusion of this rare vision of loveliness, until one could almost hear the musical tinkle of falling water. The three halls on the main, second and third floors, were really galleries of art "par excellence," they were so profusely adorned with choice collections of photographs, etchings, water colors, paintings and statuary.

The carpenter's shop also had its due share of attention, and was well provided with labelled boxes of all dimensions for nails, screws, etc., whilst a roomy closet, opening into the studio, was fitted up with a piece of furniture specially designed to receive the different-sized portfolios containing engravings, etchings, and studies of all kinds, together with a lot of pigeon-holes to keep small things separate and in order.

The eating-room, in the French mode, should be ad hoc: unfurnished, but with a buffet, the table, necessary chairs, one or two of Canaletto's etchings, and a tile fire-place for the winter.

Commissions now poured in still faster. It was at this time he painted several of his best known portraits: the "Master Shipbuilder and his Wife," at present in Buckingham Palace; that simply marvellous old woman at the National Gallery in London, made familiar to everyone by countless photographs and other reproductions; the man in ruff and woman in coif at the Brunswick Museum; and a score of others scarce less important. With increasing popularity, he was able to command his own prices, so that only a part of his time was it necessary for him to devote to the portraits which were his chief source of income. During the leisure he reserved, he painted biblical subjects, ever his delight, and made etchings and drawings, today the most prized treasures in the world's great galleries. As in Leyden, he drew about him students; a few, notably Ferdinand Bol and Christophe Paudiss, destined, in their turn, to gain name and fame. Indifferent to social claims and honors an indifference the burghers, his patrons, found it hard to forgive, his one amusement was in collecting pictures and engravings, old stuffs and jewels, and every kind of bric-

The deep arm-chairs by the fire and the many pipes savoured of the smoking-room; the guns, rods, polo sticks, whips, which were stacked or hung everywhere, and the heads of deer on the walls, gave it an atmosphere of sport. The pictures were few but good two water-colours, a small Raeburn above the fireplace, and half a dozen fine etchings.