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Updated: September 9, 2025
Campbell, in his poem of Reullura, alludes to the married monks of Iona: " -The pure Culdees Were Albyn's earliest priests of God, Ere yet an island of her seas By foot of Saxon monk was trod, Long ere her churchmen by bigotry Were barred from holy wedlock's tie. 'Twas then that Aodh, famed afar, In Iona preached the word with power. And Reullura, beauty's star, Was the partner of his bower."
In the days of my father, the holy Rameses Miamun, the keepers of the Temple of the Divine Hathor awoke, and lo! in the Sanctuary of the temple was a woman in the garb of the Aquaiusha, who was Beauty's self. But when they looked upon her, none could tell the semblance of her beauty, for to one she seemed dark and to the other fair, and to each man of them she showed a diverse loveliness.
"One two three, and away!" sung out in unison, was the special form for the occasion, accompanied by Beauty's farewell blessing as we "awayed" him into the silent depths of the mill-dam. There was a splash, a shrill cry from a frightened moorhen, a short jubilate from Jim, to which I piously added "amen," and all was over.
A new sense of her beauty came over me; her beauty's tragedy, already before her eyes, was to me remote and impossible. Because it was not yet very near she exaggerated its nearness; because it was inevitable I turned away from it. Indeed, who could remember, seeing her then? Who save herself, as she looked on my youth? "You'll soon be old and ugly?" I asked, laughing.
He seemed content with this idyl of old gardens, scented twilights, starlight nights, with Beauty's eyes for him alone radiant eyes that matched the stars. Yet as the days went on the radiance was dimmed. Becky was in a state of bewilderment which bordered on fear. George showed himself an incomparable lover, but always he was silent about the things which she felt cried for utterance.
Stewart do at this day keep a great court at Somerset House, with her husband the Duke of Richmond, she being visited for her beauty's sake by people, as the Queen is, at nights; and they say also that she is likely to go to Court again, and there put my Lady Castlemayne's nose out of joynt. God knows that would make a great turn.
Naked have I seen both of them, the greatest man and the smallest man: All-too-similar are they still to each other. Verily, even the greatest found I all-too-human! Thus spake Zarathustra. With thunder and heavenly fireworks must one speak to indolent and somnolent senses. But beauty's voice speaketh gently: it appealeth only to the most awakened souls.
Rich rustling hangings, waving on the walls; and, better far, the rustling of youth and beauty's dress; the light of women's eyes, outshining the tapers and their own rich jewels; the sound of gentle tongues, and music, and the tread of maiden feet, had once been there, and filled it with delight. But they were gone, and with them all its gladness.
I had chosen a bed of annuals because they were bright and fragrant, and was beginning to cut some "gilvers" when Nessy MacLeod, who had been watching from a window, came bouncing down me. "Mary O'Neill, how dare you?" cried Nessy. "You wilful, wicked, underhand little vixen, what will your Aunt Bridget say? Don't you know this is Betsy Beauty's bed, and nobody else is to touch it?"
Of the value of beautiful costume in creating an artistic temperament in the audience, and producing that joy in beauty for beauty's sake without which the great masterpieces of art can never be understood, I will not here speak; though it is worth while to notice how Shakespeare appreciated that side of the question in the production of his tragedies, acting them always by artificial light, and in a theatre hung with black; but what I have tried to point out is that archaeology is not a pedantic method, but a method of artistic illusion, and that costume is a means of displaying character without description, and of producing dramatic situations and dramatic effects.
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