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Updated: May 14, 2025
Of Alfred de Musset I had heard a great deal. Marshall and the Marquise were in the habit of reading him in moments of relaxation, they had marked their favourite passages, so he came to me highly recommended. Nevertheless, I made but little progress in his poetry. His modernisms were out of tune with the strain of my aspirations at that moment, and I did not find the unexpected word and the eccentricities of expression which were, and are still, so dear to me. I am not a purist; an error of diction is very pardonable if it does not err on the side of the commonplace; the commonplace, the natural, is constitutionally abhorrent to me; and I have never been able to read with any very thorough sense of pleasure even the opening lines of "Rolla," that splendid lyrical outburst. What I remember of it now are those two odious chevilles marchait et respirait, and Astarté fille de l'onde amère; nor does the fact that amère rhymes with mère condone the offence, although it proves that even Musset felt that perhaps the richness of the rhyme might render tolerable the intolerable. And it is to my credit that the Spanish love songs moved me not at all; and it was not until I read that magnificently grotesque poem "La Ballade
They wrote ponderous tomes to prove that Jan Steen was a teetotaler. Somebody had deloused Villon and shown that the Grosse Margot of the ballade was not a woman but an inn sign. Pretty soon they would be representing the poet as a priggishly honest and judicious man.
There was plenty of water about, and the violet ran down the paper, symbolising the rich purple of that romantic hour. I began, choosing the form of an old French ballade; it is the easiest because it is the most restricted "Can Man to Mount Olympus rise, And fancy Primrose Hill the scene? Can a man walk in Paradise And think he is in Turnham Green?
He must have been under the influence of more than usually solemn considerations, when he proceeded to turn Henry's puritanical homily after Agincourt into a ballade, and reproach France, and himself by implication, with pride, gluttony, idleness, unbridled covetousness, and sensuality. For the moment, he must really have been thinking more of France than of Charles of Orleans.
It drips in cadenced monotone and its song is repeated on the lips of the slender-hipped girl with the eyes of midnight and so might I weave for you a story of what I see in the Ballade and you would be aghast or puzzled. With such a composition any programme could be sworn to, even the silly story of the Englishman who haunted Chopin, beseeching him to teach him this Ballade.
From the middle of this page on to the end, the descending chords and octaves were likened to ghostly footsteps, while the broken triplets in the left hand accompaniment seem to indicate drops of blood. The third Ballade also received an illumination from Von Bülow. This is a vivid tone picture, though without motto or verse.
Dickens took off his hat with a flourish like a man calling a mob to rise. "I understand it now," he cried, "you will never die." XXXVIII. The Ballade of a Strange Town My friend and I, in fooling about Flanders, fell into a fixed affection for the town of Mechlin or Malines. Our rest there was so restful that we almost felt it as a home, and hardly strayed out of it.
Two studies and a ballade were encored, and had it not been for the fear of adding to the already great fatigue which betrayed itself on his pale face, people would have asked for a repetition of the pieces of the programme one by one...
Would you believe it, I am always so unfortunate! May I most respectfully ask you to present my compliments to Alexandra Michailovna, and remind her... tell her, that with my whole heart I wish for her what she wished for herself on Thursday evening, while she was listening to Chopin's Ballade. She will remember. I wish it with all sincerity. General Ivolgin and Prince Muishkin!"
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