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Updated: May 18, 2025
I heard this two days since; but being indisposed yesterday I could not go to see you, nor can I to-day either. We have no resource now but the Kärnthnerthor Theatre, or the one "an der Wien." I believe there will only be one concert. If both these fail, we must then have recourse to the Augarten, in which case we ought certainly to give two concerts.
Jelínek, "Materialen zur Vorgeschichte mid Volkskunde Böhmens," Mittheilungen der anthropolog. Gesellschaft in Wien xxi. p. 13 note. Mrs. Above, pp. 190 sq. Above, pp. 178, 205, 206. See The Magic Art and the Evolution of Kings, i. 311 sqq.
F. Deuticke, Wien, 1895. Classifications of children's faults Peculiar children Real faults as distinguished from interference with the teacher's ease Truancy, its nature and effects The genesis of crime The lie, its classes and relations to imagination Predatory activities Gangs Causes of crime The effects of stories of crime Temibility Juvenile crime and its treatment.
At any rate, though it was known as early as June, 1803, that Beethoven intended to compose an opera for the Theater an der Wien, and had taken lodgings with his brother Caspar in the theatre building more than two months before, it was not until the winter of 1804 that the libretto of "Fidelio" was placed in his hands.
Nevertheless, he was quick to appreciate a certain spirit of Bohemianism which pleased him. Every one talked to his neighbor. An American from the further end of the room raised his glass and drank his health. A pretty fair-haired girl leaned over from her table and smiled at him. "Monsieur like talk with me, eh?" "English?" he asked. "No. De Wien!" He shook his head smilingly.
[Footnote 3: The story of the “Lorenzodosen” is given quite fully in Longo’s monograph, “Laurence Sterne und Johann Georg Jacobi” (Wien, 1898, pp. 39-44), and the sketch given here is based upon his investigation, with consultation of the sources there cited. Nothing new is likely to be added to his account, but because of its important illustrative bearing on the whole story of Sterne in Germany, a
Wise as any daughter of Eve, she selected intuitively that one letter which she knew would satisfy him so that he would forget there were others. It bore the post-mark "Wien." "Here is one from Vienna," she explained, "shall I read that?" "Yes, yes," he acceded, tingling with anticipation. She tore off the edge with feminine precision. "Who wrote it?" he queried, unable to await its perusal.
They then walked slowly along a less frequented street by the bank of the Wien. "Why, Emil, you haven't brought your umbrella with you!" "Won't you take me under yours? Wait a moment, it won't do like this." He took the umbrella out of her hand, held it over both of them, and thrust his arm under hers. Now she felt that it was his arm, and rejoiced greatly.
Fournier: Österreich nach dem Frieden von Wien. Strategic Preliminaries Final Orders The Defensive Plan of Austria Berthier's Failure Napoleon's Arrival at Donauwörth The Height of Napoleon's Ability The Austrian Advance The First Collision Concentration of Napoleon's Army The Austrians Divided The Austrians at Eckmühl The Battle Charles's Retreat The Five Days' Fight Its Results Charles at the Bisamberg Napoleon at Vienna The German Risings Demoralized Discrimination of the People Napoleon's Unsuccessful Appeal to Hungary Pius VII Loses his Secular Power Napoleon's Activity Charles's Sluggishness Plans of Both Generals Napoleon on the Lobau.
What was that you was a-hummin' in your cabin? Nice chune. I've a musical ear meself." Someone sang a verse in a subdued baritone, tremulous with sentiment. The melody was haunting, the words almost pathetic under the conditions of life on board the disheveled Unser Fritz. They told of Vienna, the city beloved of its sons. Es gibt nur eine Kaiser Stadt, Es gibt nur eine Wien.
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