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Updated: May 19, 2025


"I will let you know positively to-morrow morning." "That will do nicely. Hark, they are singing aboard the yacht." They listened in silence till the song was finished. "I recognized most of the voices," Mrs. Fry remarked, "but two lovely sopranos were quite new to me. Do you know the owners?" turning smilingly to Edward. "My mother and sister," he answered, with proud satisfaction.

The chewink, the indigo bird, the glad goldfinches, the plaintive pewees are the sopranos; the blue-bird, the quail, with her long, sweet call, and the grosbeak, with his mellow tones, are the altos; the nuthatch and the tanager take up the tenor, while the red-headed woodpeckers, the crows and the cuckoos bear down heavy on the bass. Growing with the light, the fugue swells into crescendo.

The crico-thyroid is probably, however, of much more importance to tragic actors and barytones than to tenors or sopranos. This, however, is no excuse for the neglect of its development by the latter class, as often happens, for without it the best tones of the lower register are impossible.

They will be three at a time, or better, six, two sopranos, two tenors, one alto and one bass, singing or remaining silent according to the occasion, giving with spirit the lively words and with feeling the sentimental ones and pronouncing all with loud and intelligible voices according to the judgment of prudent singers.

I do not intend to write a physiological work, but simply to attempt to examine certain infallible vocal sensations of the singer; point out ways to cure evils, and show how to gain a correct understanding of that which we lack. Up to a certain pitch, with tenors as well as with sopranos, the head tones should be mixed with palatal resonance.

But the professor imagines that the methods of calculation by which such results are obtained are the same as those employed by politicians in estimating their majorities on the eve of election day, by millionaires in paying their personal taxes, and by operatic sopranos in figuring out their age. The influence of a newspaper depends, of course, upon its circulation.

The sopranos took a B flat on the last note, while the tenors and altos rambled up and down the scale and the bassos bombarded the theme with their deepest chest tones. In the meantime the traveler had been washed out to sea. As the next wave brought him to the strand the company advanced once more a short distance, and began. "In the name of Mercy, help me!" screamed the drowning man.

At last the opportunity came, but it is not on record that the public clamored for its repetition or ranked her Casta diva with her singing of Isolde's Liebestod. Melba, one of the most exquisite of florid sopranos, once attempted Brünnhilde in Siegfried. One performance, and her good judgment came to her rescue.

So when all were ready, washed, and in their clean clothes, every one of the kabouter families, daddies, mothers, and young ones, were ranged in lines and made to sing. The heavy male tenors and baritones, the female sopranos and contraltos, the trebles of the little folks, and the squeaks of the very small children, down to the babies' cooing, were all heard by the gnomes, who were judges.

The choir made the responses, and performed at intervals. The singing was not without a certain power; indeed, it was marvelous how some of the voices really filled the vast spaces of the edifice, and the choruses rolled in solemn waves of sound through the arches. The singing, with the male sopranos, is not to my taste; but it cannot be denied that it had a wild and strange effect.

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