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When the morning dawns, and the great red sun rises above the rim of the wide and wonderful land which is the only land that Safti knows, he wraps his white burnous around him, pulls his hood up over his closely-shaven head, rolls and lights his cigarette, and sets forth to his equivalent of an office. This is the white arcade of a hotel where unbelieving dogs of travellers come in winter.

He was thirty-five when I first met him; but he is as clever at subtraction as a London beauty. "Good heavens! So much! But, then, how can you keep up the wear and tear of this tumultuous life? You must have an iron strength. Such work as you do would break down an American millionaire." Safti raised his one dark eye piously towards Allah's dwelling. "Sidi, I must labour for my children.

"Luckily, Safti joined me mysteriously from the deuce knows where, and we staggered to the dancing-house somehow, and struggled in, blinded, our faces scored, our clothes heavy with sand, our pockets, our very boots, weighed down with it.

Safti is a respectable, one-eyed married man who lives in a brown earth house in the Sahara Desert. He has a wife and five children, and in winter he works for his living and theirs.

The next day we reached Touggourt, and in the evening I went with Safti and the Caïd of the Nomads to the great café of the dancers in the outskirts of the town. At the door Arab soldiers were lounging. The pipes squealed within like souls in torment. In the square bonfires were blazing fiercely, and the whole desert seemed to throb with beaten drums.

Suddenly he lifted his lean hands, took the face of the Princess between them quite gently, and turned it towards the small window. She had begun to tremble. Holding her soft cheeks with his brown fingers, Safti remained motionless for a long time, during which it seemed to the Princess that he was looking away from her at some distant object.

As I hastily pressed a two-franc piece above her eyebrows Safti addressed her animatedly in Arabic. I caught the word "Smaïn." The lady smiled, and made a guttural reply; then, with a somnolent wink at me, she waddled onward, flapping the blood-red hands and stamping heavily upon the earthen floor. "Smaïn loves that!" I said to Safti. "Yes, Sidi. Oreïda is famous, and very rich.

She watched his frightful and surreptitious eyes, that never told the truth, she heard the distant Arab's everlasting song, and her dream became a nightmare. At last Safti dropped his hands and said: "It may be that some day you will need my emerald." The Princess felt as if at that moment a bullet entered her heart. "Give it me give it me!" she cried. "I am rich.

For a consideration he shows me round the market, which I knew by heart six years ago, and takes me up the mosque tower, from which I gazed over the flying pigeons and the swaying palms when Safti was comparatively young and frisky. Together we visit the gazelles in their pretty garden, and the Caïd's Mill, from which one sees the pink and purple mountains of the Aures.

I sat on the edge of an old stone well before the Bordj, while Safti smoked his keef. Near midnight, quivering across the sands, came the faint sound of a flute moving from the village towards the deep obscurity of the palm gardens. I knew that air, those trills, those little runs, those grace notes. "It is Smaïn," I said to Safti. "Yes, Sidi. He will play all night alone among the palms.