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Updated: June 1, 2025


But the protection which the Paduan Doctor received from some friends of interest and consequence, enabled him to set these imputations at defiance, and to assume, even in the city of Edinburgh, famed as it was for abhorrence of witches and necromancers, the dangerous character of an expounder of futurity.

Hither came Charlemagne and Barbarossa to witness the games held in their honor. Fairs and shows and Carnival riot have been the lot of the Prato from the days when the nuns of Santa Giustina sold it to the town, until now when the Paduan ladies drive around the weatherbeaten statues of a Sunday with mighty towers of hair on their heads and enormous fans screening their faces.

The second story, which existed as a kind of tower above each end of the façade, was thrown down by the great earthquake, and never rebuilt. The loggia has stone benches against the walls, one to the left, and two, one above the other, to the right, which were the seats for senators on great fête days. In 1462 there was another fire, so that only fragments of Onofrio's work remain the hall on the ground floor with the seventeenth-century wooden ceiling, several of the caps of the loggia, and the courtyard within, the great door and the windows of the first floor. This is all that appears to have been preserved. The great council then called in Michelozzo the Florentine and George of Sebenico. The former was at Ragusa in 1463, looking after the building of the walls of the city; and on February 11, 1464, it was ordered "that the palace be rebuilt" after his designs; but, in the following June, George of Sebenico was appointed, working, no doubt, on the general lines laid down by Michelozzo. The great hall was burnt during the French siege, and very little remains inside worthy of note. There are two tolerable pictures, one an early copy of the Paris Bordone in the National Gallery, the Venus and Adonis, and the other, a Baptism of Christ, in the manner of Paduan work of the fifteenth century. Both have been restored. The courtyard has an arcade of round arches, resting on cylindrical columns with Renaissance caps, and an upper arcade resting on twin columns and piers, two arches to each bay, both stories being vaulted with sustaining arches, but without ribs. The loggia in front has ribs and bosses at the intersections. A small staircase to the right contains other remains of Onofrio's building a bracket, on which is carved a figure of Justice holding a label, and with a mutilated lion on each side of her; opposite to it is a capital, on which is carved the Rector administering justice; neither of them in their original place. The main doorway is pointed with a richly carved moulding and caps, which belong to Onofrio's work; above it is S. Biagio in a Renaissance niche, and between the caps and the arch a shallow frieze is interposed, on which are carved little figures engaged in combats, a love scene, and Cupids with an organ and trumpets. The corbels from which the vaults spring are carved, the subjects being two groups of boys playing, a man fighting a dragon or basilisk with club and little target, a struggle between a girl and a bear, &c. The doors at the end, the Porta della Carit

Lady Forester sighed deeply, and Lady Bothwell replied "Since you know our object without our telling it, the only question that remains is, whether you have the power to relieve my sister's anxiety?" "I have, madam," answered the Paduan scholar; "but there is still a previous inquiry.

It includes nearly the whole of Lorenzetti's work in the Sala della Pace, much of Giotto, the Gozzoli frescoes at S. Gemignano, frescoes of the Veronese masters and of the Paduan Baptistery, a great deal of Piero della Francesca, Mantegna, Luini, Gaudenzio Ferrari, Pinturicchio, Masolino, &c.

I told her I had been out of sorts, that I had taken some medicine, and that I now felt better. "You will see my appetite at supper," added I, to calm her fears, "I have had nothing to eat since dinner yesterday." This was really the truth, as I had only eaten a few oysters with the Paduan girls.

Meantime that year of new experience, uplifting love and growth by inches must ever remain wonderful to me with Aurelia's music in my ears and Love's wild music in my heart. Happy, happy days of my youth! "Dichosa edad y siglos dichosos aquellos, a quien los antiguos pusieron nombre de dorados!" cried the knight of La Mancha; and I may call that Paduan year my age of song.

In documents still preserved in the Paduan archives the boy is twice over mentioned as Lodovicus Maurus filius quartus masculus, but the silver image itself bore the inscription, "Pro sanitate filii. Lodovici Mariæ, 1461."

"But," she said timidly, "will not Messer Basterga give it to you? Or sell it to you?" "Give it to me? Sell it to me? He?" Blondel's hands flew out and clawed the air as if he had the Paduan before him, and would tear it from him. "He give it me? No, he will not. Nor sell it! He is keeping it for the Grand Duke! The Grand Duke? Curse him; why should he escape more than another?" Anne stared.

Another man who was held in esteem in the same times was Vincenzio, a painter of Brescia, according to the account of Filarete, as was also Girolamo Campagnola, another Paduan painter, and a disciple of Squarcione. Then Giulio, son of Girolamo, made many beautiful works of painting, illumination, and copper-engraving, both in Padua and in other places.

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