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Updated: May 14, 2025


One of his first duties, Charity told him, was to call at the Hyperfilm Studio and try to engage that Mr. Ferriday for director and learn the ropes. "While you're there you might inquire about that little girl you pulled out of the pool. I sent her there. They promised her a job. Her name was I have it at home in my address-book. I'll telephone it to you." And she did.

DEAR MISS ADAIR, Please forgive my delay in keeping my promise, but I have been unable to find anything likely to interest you till to-day. But now Miss Grace Havender, of the Hyperfilm Company, has just assured me that if you will call on her at her office she will see that you are engaged. You will photograph so beautifully that I am sure you will have a great career.

The press agent of the Hyperfilm Company had written everything. He reveled in his new star, for the editors were cordial toward her "press stuff." They "ate it up," "gave it spread."

It was not necessary for Dyckman to pay the expenses of their repetition in celluloid, as he offered. The Hyperfilm Company rented another studio and began to remake the destroyed pictures. They were speedily renewed because the scenarios had been rescued and there was little of that appalling waste of time, money, and effort which has almost wrecked the whole industry.

I don't want to be incorporated or photographed or interviewed. I want to be let alone. I'm tired. I've worked too hard. I need a rest." Ferriday hated her with great agility. He had been willing to abet her breach of contract, provided she let him form a new company, but if she would not that made a great difference. He reminded her: "The Hyperfilm Company will hold you to your bond.

"The managers of the Hyperfilm Company will think you have done them dirt, but I'll explain that you are not really responsible. You've seen a million dollars, and you're razzle-dazzled. They'll want a bit of that million, I suppose, as liquidated damages, but I'll try to keep them down." Kedzie was at bay in her terror. She struck back.

She was being driven to believe that the world was as badly managed as the Hyperfilm Studio. Providence seemed to provide tribulations for her like a scenario editor pursuing a movie heroine. The second reel had begun well, the rich but honest lover putting the poor but dishonest husband to flight. And now Honeymoon Number Two!

Gilfoyle did not know that the Hyperfilm studio had burned to the ground before he saw Kedzie's picture in Chicago. But he blithely left that city to its fate and sped eastward. Gilfoyle reached New York on the Twentieth Century. It was an hour late, and so the railroad company paid him a dollar. He wished it had been later. In his present plight time was anything but money to him.

"Oh, when I saw how idiotic he was over you, and how slow you were in landing him, and when I realized that the Hyperfilm Company was going to slide your pictures out with no special advertising, I went to him and tried to get him into the business." "You had a nerve!" "Praise from Lady Hubert!" "Whoever she is! Well, did he bite?" "Yes and no. He's not such a fool as he looks in your company.

This was the less surprising since the advertising-man of the Hyperfilm Company was so lavish with purchase of space that the publishers could well afford to throw in a little free reading matter especially since it did not cost them a cent for the copy. The press agent unaided has a hard life, but when the advertising-man gives him his arm he is welcome to the most select columns.

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