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Updated: June 3, 2025


This work is in every part so stupendous, that even the cartoons are held in the greatest veneration; wherefore Messer Francesco Masini, a gentleman of Cesena who, without the help of any master, but giving his attention by himself from his earliest childhood, guided by an extraordinary instinct of nature, to drawing and painting, has painted pictures that have been much extolled by good judges of art possesses, among his many drawings and some ancient reliefs in marble, certain pieces of the cartoon which Raffaello made for this story of Heliodorus, and he holds them in the estimation that they truly deserve.

But if the "Dispute on the Sacrament" and the so-called "School of Athens," both prior to the paintings of the Sixtine Chapel, seemed to him to be Raffaelle's masterpieces, he felt that in the "Burning of the Borgo," and particularly in the "Expulsion of Heliodorus from the Temple," and "Pope St.

In the early part of the story, during the scenes in Tyre and Egypt, the action is carried on with considerable spirit and briskness; the author having apparently thus far kept before him, as a model, the narrative of Heliodorus. But towards the conclusion, and, indeed from the time of the arrival of Clitophon and Melissa at Ephesus, the interest flags wofully. The dénouement is inevitably foreseen from the moment Clitophon is made aware that Leucippe is still alive and in his neighbourhood, and the arrival of Thersander, almost immediately afterwards, disposes of the obstacle of his engagement to Melissa; but the reader is acquainted with all these circumstances before the end of the fifth book; the three remaining books being entirely occupied by the proceedings in the judicial assembly, the recriminations of the high-priest, and the absurd ordeal to which Leucippe is subjected all apparently introduced for no other purpose than to show the author's skill in declamation. The display of his own acquirements in various branches of art and science, and of his rhetorical powers of language in describing them, is indeed an object of which Achilles Tatius never loses sight; and continual digressions from the thread of the story for this purpose occur, often extremely mal-

Horace says that he set out from Rome accompanied by Heliodorus, a rhetorician whom he calls by far the most learned of the Greeks, and that they found a middling inn at Aricia, the first stopping-place, on the Appian Way, sixteen miles out, at the foot of the Alban mount.

Having noticed the gay Cupids enacting Bacchanalians upon the first front of a sarcophagus, the visitor should pass on at once to the Here, in front of the pilaster, the visitor should remark a curious square altar, with Silvanus, to whom the altar is dedicated by the farm servant of Caius Coelius Heliodorus, Callistus; and a trophy discovered on the plains of Marathon.

Which among you can boast of beauty greater than his? and which of you ever displayed so much goodness and faithfulness as your new associate?" This vow seemed to have given Hadrian some comfort. For above half an hour he paced his tent with a firmer tread, then he desired that Heliodorus his secretary might be called. The Greek wrote what his sovereign dictated.

The prefect had already instituted the necessary inquiries and the private secretaries, Phlegon, Heliodorus and Celer, were now charged with the duty of addressing documents to the injured parties in which they were invited, in the name of Caesar, to declare the truth as to the amount of the loss they had suffered.

Heliodorus came, however, to the temple, and was pressing on to the treasury, when suddenly a horse, with a terrible rider, appeared in armour like gold, and cast the spoiler to the ground, while two young men, of marvellous beauty, scourged him on either side, so that when the heavenly champions had vanished, he lay as one dead.

Wells then spoke of Lucius Apuleius and his Golden Ass, which contains the story of Cupid and Psyche, with other matter rich and rare, and went on to the romance of Heliodorus, Theagenes and Chariclea and in it the presiding deities of Love and Wine appear in all their pristine strength, youth, and grace, crowned and worshipped as of yore.

At the end of December, 1637, when writing to Bois-Robert a letter of thanks for getting him his pension, which he calls "the liberalities of my Lord," he adds, "As you advise me not to reply to the Sentiments de l'Academie, seeing what personages are concerned therein, there is no need of interpreters to understand that; I am somewhat more of this world than Heliodorus was, who preferred to lose his bishopric rather than his book; and I prefer my master's good graces to all the reputations on earth.

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