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Updated: June 13, 2025


These Joans of Arc have got you by the short hairs!" "I won't give in!" "Then give out!" said Wally. "Or pay out, if you prefer it. Trot along and tell the audience that the four dollars fifty in the house will be refunded." Mr Goble gnawed his cigar. "I've been in the show business fifteen years . . ." "I know. And this sort of thing has never happened to you before. One gets new experiences."

A dark suspicion that Mr Goble, who had seen to all the executive end of the business, had a secret arrangement with the costumer whereby he received a private rebate, deepened his gloom. Why, for ten thousand six hundred and sixty-three dollars and fifty cents you could dress the whole female population of New York State and have a bit left over for Connecticut.

Mr Miller remained for a moment in meditation. "I'll go and talk to them," he said. He flitted off, and the stage director leaned back against the asbestos curtain. He was exhausted, and his throat was in agony, but nevertheless he was conscious of a feeling of quiet happiness. His life had been lived in the shadow of the constant fear that some day Mr Goble might dismiss him.

But Otis Pilkington, happening along with the script of "The Rose of America" and the cash to back it, had caught Mr Goble in the full grip of an attack, and all the arrangements had been made before the latter emerged from the influence. He now regretted his rash act.

There was a moment, when the seven male members of "The Rose of America" ensemble lined up self-consciously before his gleaming eyes, when Mr Goble repented of his brave words. An uncomfortable feeling passed across his mind that Fate had called his bluff and that he would not be able to make good. All chorus-men are exactly alike, and they are like nothing else on earth.

"And perhaps a suspicion of je-ne-sais-quoi," added Wally. Mr Goble worried his cigar, and essayed a new form of attack. "You've done a lot of work for me," he said. "Good work!" "Glad you liked it," said Wally. "You're a good kid! I like having you around. I was half thinking of giving you a show to do this Fall. Corking book. French farce. Ran two years in Paris.

There is an insidious something about the atmosphere of a rehearsal of a musical play which saps the finer feelings of those connected with it. Softened by the gentle beauty of the Spring weather, Mr Goble had come to the Gotham Theatre that morning in an excellent temper, firmly intending to remain in an excellent temper all day.

A good deal of action had taken place there during recently concluded business talk, and the unfortunate Finchley was back again, playing another of his scenes. Mr Goble glared at Lord Finchley. He did not like him, and he did not like the way he was speaking his lines. The part of Lord Finchley was a non-singing role. It was a type part.

"You'd better not let him hear you talking like that!" "An contraire, as we say in the Gay City, I'm going to make a point of letting him hear me talk like that! Adjust the impression that I fear any Goble in shining armor, because I don't. I propose to speak my mind to him. I would beard him in his lair, if he had a beard. Well, I'll clean-shave him in his lair. That will be just as good.

Franklin would better have stuck to his newspaper, my young friend," said he. "But I like your appearance too well to quarrel with you, and we'll have no politics before eating. Come, gentlemen, come! Let us see what Goble has left after his shaking." He struck off with something of a painful gait, which he explained was from the gout.

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