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It is not Paris I care for, or the great sights; it is that I must see my child." St. Croix was fairly bewildered at the news it heard the next day. Mère Giraud had gone to Paris to visit Madame Legrand had actually gone, sending her little servant home, and shutting up her small, trim cottage. "Let us hope that Madame Legrand will receive her as she expects to be received," said Annot.

Leon went to speak to one of the ushers who go and come continually between this hall and the hall of sessions, with which it communicates by a passage in which are stationed the stenographers of the "Moniteur" and persons attached to the Chamber. "As for the minister," replied the usher to Leon as Gazonal approached them, "he is there, but I don't know if Monsieur Giraud has come. I'll see."

It was a marvelous life Mère Giraud lived during the next few days. Certainly she could not complain that she was not treated with deference and affection. She wore the silk dress every day; she sat at the wonderful table, and a liveried servant stood behind her chair; she drove here and there in a luxurious carriage; she herself, in fact, lived the life of an aristocrat and a great lady.

Next came Leon Giraud, that profound philosopher and bold theorist, turning all systems inside out, criticising, expressing, and formulating, dragging them all to the feet of his idol Humanity; great even in his errors, for his honesty ennobled his mistakes. An intrepid toiler, a conscientious scholar, he became the acknowledged head of a school of moralists and politicians.

"Yes," said Canalis, laughing. Though Canalis had already been a minister, he was at this moment tending toward the Right. "Ah! but you had a fine triumph just now," said Maxime to Canalis; "it was you who forced the minister into the tribune." "And made him lie like a charlatan," returned Canalis. "A worthy victory," said the honest Giraud. "In his place what would you have done?"

His belief in the Monarchy was quite as strong as Michel Chrestien's faith in European Federation. Fulgence Ridal scoffed at Leon Giraud's philosophical doctrines, while Giraud himself prophesied for d'Arthez's benefit the approaching end of Christianity and the extinction of the institution of the family.

The Premiere Edition of the Theatre Complet was published in a single duodecimo volume from the press of Giraud & Dagneau in 1853. It contained: Vautrin, Les Ressources de Quinola, Pamela Giraud, and La Maratre. All prefaces were omitted. Mercadet was not given with them in this printing, but appeared in a separate duodecimo, under the title of Le Faiseur, from the press of Cadot, in 1853.

But I think, my friend now that you are started in so promising a way, with such great and noble hearts for your companions, that you can hardly fail to reach the greatness to which you were born, aided as you are by intelligence almost divine in Daniel d'Arthez and Michel Chrestien and Leon Giraud, and counseled by Meyraux and Bianchon and Ridal, whom we have come to know through your dear letter.

I often went to see her; she was an old acquaintance, who recalled to my remembrance one more beloved, and this made her dear to me. She had several friends, and among others one Mademoiselle Giraud, a Genevese, who, for the punishment of my sins, took it in her head to have an inclination for me, always pressing Merceret, when she returned her visits, to bring me with her.

"He will die as he lived," said d'Arthez. "Love fell like a firebrand in the vast empire of his brain and burned him away," said Leon Giraud. "Yes," said Joseph Bridau, "he has reached a height that we cannot so much as see." "We are to be pitied, not Louis," said Fulgence Ridal. "Perhaps he will recover," exclaimed Lucien.