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Updated: June 24, 2025


Fenger, Ted, Haynes-Cooper, her work, her plans, her ambitions, seemed to dwindle to puny insignificance beside the vast grandeur that unfolded before her at every fresh turn in the road. Up they went, and up, and up, and the air was cold, but without a sting in it. It was dark when the lights of the Inn twinkled out at them. The door was thrown open as they swung up the curve to the porch.

There were tickets to be got. Reservations. Money at the bank. Packing. When the maid came in at eleven Fanny had suitcases and bags out, and her bedroom was strewn with shoes, skirts, coats. Late Monday afternoon Fenger telephoned. She did not answer. There came a note from him, then a telegram. She did not read them. Tuesday found her on a train bound for Colorado.

You have seen how a woman, long denied luxuries, feeds her starved senses on soft silken things, on laces and gleaming jewels, for pure sensuous delight in their feel and look. Thus Fanny mused as she eyed these treasures grim, deft, repressed things, done with that economy of line which is the test of the etcher's art. Fenger hung up the receiver. "So it's taken you two months, Miss Brandeis.

Still, I suppose the tired business man has got to have his little melodrama. What do I do? H'm? Beat my breast and howl? Or pound on the door panel?" Fenger stood looking at her. "Don't laugh at me, Fanny." She stood up, still smiling. It was rather a brilliant piece of work. Fenger, taken out of himself though he was, still was artist enough to appreciate it.

But she said little, followed Slosson's instructions in her position as assistant buyer, and suggested no changes. Slosson's wrinkle of anxiety smoothed itself away, and his manner became patronizingly authoritative again. Fanny seemed to have become part of the routine of the place. Fenger did not send for her. June and July were insufferably hot.

Fanny seemed to thrive, to expand like a flower in the heat, when others wilted and shriveled. The spring catalogue was to be made up in October, as always, six months in advance. The first week in August Fanny asked for an interview with Fenger. Slosson was to be there. At ten o'clock she entered Fenger's inner office. He was telephoning something about dinner at the Union League Club.

He watched the great presses that turned out the catalogue the catalogue whose message meant millions; he sat in Fenger's office and stared at the etchings, and said, "Certainly," with politeness, when Fenger excused himself in the midst of a conversation to pick up the telephone receiver and talk to their shoe factory in Maine.

What makes this Fenger hang around so? I'm going to tell him to keep away, some day. The way he stares at you. Let's go somewhere to-night, Fan. Or have some people in. I can't sit about after I've played. Olga always used to have a supper party, or something." "All right, Ted. Would you like the theater?" For the first time in her life she felt a little whisper of sympathy for the despised Olga.

"Temper," said Fanny, to herself, "or horribly nervous and high-keyed. They jump like a set of puppets on a string." It was then that the lean secretary had said, "Mr. Fenger will see you now." Fanny was aware of a pleasant little tingle of excitement. She entered the inner office. It was characteristic of Michael Fenger that he employed no cheap tricks.

It's you who have the murky magazine viewpoint, as you call it, when you imply " "Now, look here, Mr. Fenger," Fanny interrupted, quietly. "Let's be square with each other, even if we're not being square with ourselves. You're the real power in this plant, because you've the brains. You can make any person in this organization, or break them. That sounds melodramatic, but it's true.

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