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Such a sentiment, so expressed by a footman, would set a plain man in London a laughing, and make a fanciful Lady imagine he was a nobleman disguised. Here nobody laughs, nor nobody stares, nor wonders that their valet speaks just as good language, or utters as well-turned sentences as themselves. Their cold answer to my amazement is as comical as the fellow's fine style è battizzato[Footnote: He has been baptized.], say they, come noi altri[Footnote: As well as we.]. But we are called away to hear the fair Fantastici, a young woman who makes improviso verses, and sings them, as they tell me, with infinite learning and taste. She is successor to the celebrated Corilla, who no longer exhibits the power she once held without a rival: yet to her conversations every one still strives for admittance, though she is now ill, and old, and hoarse with repeated colds. She spares, however, now by no labour or fatigue to obtain and keep that superiority and admiration which one day perhaps gave her almost equal trouble to receive and to repay. But who can bear to lay their laurels by? Corilla is gay by nature, and witty, if I may say so, by habit; replete with fancy, and powerful to combine images apparently distant. Mankind is at last more just to people of talents than is universally allowed, I think. Corilla, without pretensions either to immaculate character (in the English sense), deep erudition, or high birth, which an Italian esteems above all earthly things, has so made her way in the world, that all the nobility of both sexes crowd to her house; that no Prince passes through Florence without waiting on Corilla; that the Capitol will long recollect her being crowned there, and that many sovereigns have not only sought her company, but have been obliged to put up with slights from her independent spirit, and from her airy, rather than haughty behaviour. She is, however, (I cannot guess why) not rich, and keeps no carriage; but enjoying all the effect of money, convenience, company, and general attention, is probably very happy; as she does not much suffer her thoughts of the next world to disturb her felicity in this, I believe, while willing to turn every thing into mirth, and make all admire her wit, even at the expence of their own virtue. The following Epigram, made by her, will explain my meaning, and give a specimen of her present powers of improvisation, undecayed by ill health; and I might add, undismayed by it. An old gentleman here, one Gaetano Testa Grossa had a young wife, whose name was Mary, and who brought him a son when he was more than seventy years old. Corilla led him gaily into the circle of company with these words: "Miei Signori Io vi presento Il buon Uomo Gaetano; Che non s
And though I was exceedingly entertained by the present improvisatrice, the charming Fantastici, whose youth, beauty, erudition, and fidelity to her husband, give her every claim upon one's heart, and every just pretension to applause, I could not, in the midst of that delight, which classick learning and musical excellence combined to produce, forbear a grateful recollection of the civilities I had received from Corilla, and half-regretting that her rival should be so successful;
Corilla's successor was the beautiful Fantastici, a young woman of pleasing personality and remarkable powers of improvisation, who soon became a popular favorite. Both at home and abroad, Italian women were coming to the fore in musical circles, and no opera in any one of the continental capitals was complete without its prima donna.
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