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Updated: June 3, 2025
He has heard of the intended marriage, and begs passionately that she shall not sacrifice herself, ending with a cavatina a cavatina by Richard Wagner! in vain. But Vanderdecken has heard all from the wings another bit of old-fashioned stage trickery, like the "asides" and resolves that Senta shall not sacrifice herself. "For ever lost," he cries, realizing that he is renouncing his last chance.
When the pianist had finished his Chopin a lady sang, accompanied by her son, who had brought a whole pile of music. She courageously attacked the Cavatina of "Ernani." The son filled up the places in her vocalization which were weak by playing a dashing chord.
How charming is the melody of the cavatina 'Grace pour toi! All the women present understood it well; each saw herself seized and snatched away on the stage. That part alone would suffice to make the fortune of the opera. Every woman felt herself engaged in a struggle with some violent lover. Never was music so passionate and so dramatic. "The whole world now rises in arms against the reprobate.
Tippin, of the London theatres,’ replied Belinda, referring to the programme of the concert. The talented Tippin having condescendingly acknowledged the clapping of hands, and shouts of ‘bravo!’ which greeted her appearance, proceeded to sing the popular cavatina of ‘Bid me discourse,’ accompanied on the piano by Mr. Tippin; after which, Mr.
Hoping that it may bring him an opportunity for a glance, mayhap a word with his inamorata, Amaviva follows the advice given by Sir Proteus to Thurio in "The Two Gentlemen of Verona"; he visits his lady's chamber window, not at night, but at early dawn, with a "sweet concert," and to the instruments of Fiorello's musicians tunes "a deploring dump." It is the cavatina "Ecco ridente in cielo."
He fancied that he could hear an angelic chorus of voices, and he would have given his life to feel the fire of passion which at this hour last night had filled him for the odious Clarina; but he was at the moment hardly conscious of having a body. Massimilla, much distressed, ascribed this tear, in her guilelessness, to the remark she had made as to Genovese's cavatina.
Let us see what would be the three characters: Soprano, Suzannah; contralto, David; the old men, two basses; as for the tenor, he would be, of course, Suzannah's husband. There would be a superb entrance for him upon his return from the army, 'cavatina guerriera con cori'. Oh! that terrible Gerfaut! the wolves must have devoured him.
He seems to have been unnoticed, except as one of the hoi polloi of the musical rabble, till an accident attracted attention to his talent. A drama was to be produced in which a very difficult cavatina was introduced. The manager was at a loss for any one to sing it till Rubini proffered his services. The fee was a trifling one, but it paved the way for an engagement in the minor parts of opera.
Let us see what would be the three characters: Soprano, Suzannah; contralto, David; the old men, two basses; as for the tenor, he would be, of course, Suzannah's husband. There would be a superb entrance for him upon his return from the army, 'cavatina guerriera con cori'. Oh! that terrible Gerfaut! the wolves must have devoured him.
"That night I was at the theatre, and witnessed the wild, frantic reception of this cavatina, and also saw the point Scudo alludes to, which Adelaide made that night for the first time, in the duo between Tancredi and Argirio, 'Ah, se de' mali miei, in the passage at the close of 'Ecco la tromba, at the repeat of 'Al campo. She looked superbly, and, as that part of the duo ended, she advanced a step, drew up her fine form to its full height, flashed her sword with a gesture of inspiration, and exclaimed, in clear, musical diction, 'Il vivo lampo di questa spada. The effect was electric.
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