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Updated: September 18, 2025
The audience applauded light-heartedly, but I was disturbed by the sophistry of the question. One of Senator Ingalls's most discussed personal peculiarities was the parting of his hair in the middle. Cartoonists and newspaper writers always made much of this, so when I rose to reply I felt justified in mentioning it.
In the cartoonists' fancy the wires of the puppet-show had gone awry, the dog bit the heel at which it slunk, the usurper's knuckles were rapped by the sceptre he would have seized. The press teemed with anecdotes and personal gossip of the governor. Everything he did or said became of interest: his dress, his habits of work, his Tuscarora stories, his domestic life.
The Italian method of drawing cartoons was adopted by the Flemish cartoonists at this time, but as it was an adoption and not a natural expression of inborn talent, it fell short of the high standard of the Renaissance. But that is not to say that we of to-day are not ready to worship the fruit of the Italian graft on Flemish talent.
The comic verse-writers and the cartoonists took hold of it with screaming laughter, and in the personal columns of society weeklies jokes were perpetrated on it to the effect that Charley Frensham told Archie Jennings, in confidence, that five lines of "Ephemera" would drive a man to beat a cripple, and that ten lines would send him to the bottom of the river.
When the negotiations fell through, cartoonists were again free to make sport of the aenemic Gaul and the untutored Slav. It was not alone in Germany that a responsive Press played the weather vane to Government wishes; but in Germany the machinery ran smoothest. For the first time I knew what it was to have a human being whom I had never seen before hate me.
One of the principal cartoonists of the Charivari at that moment was "Cham," otherwise the Vicomte Amedee de Noe, an old friend of my family's. It was he, by the way, who before the war insisted on my going to a fencing-school, saying: "Look here, if you mean to live in France and be a journalist, you must know how to hold a sword. Come with me to Ruze's.
John J. Silence bids me approach," John said to himself. He tiptoed forward. A board creaked under his foot. It could not have had more effect if it had been a pistol shot. Instantly all except the cameramen turned on him quickly. He imagined little arrows darting at him from their eyes, those little arrows cartoonists use to illustrate a fixed stare by one of their subjects.
No stronger evidence is needed than some of these half savage portrayals of life in the Sixteenth Century to declare the classic method an exotic in Flanders. But with the passing of the old Gothic method, there was little need for other cartoonists than the Italian, so infinitely able and prolific were they.
These eccentricities the cartoonists seized on and exaggerated so that most people who have not seen the man picture Bryan, not as a determined looking man with a piercing eye and tightset mouth, but as a grotesque frock-coated figure with the sombrero of a cow-puncher and the hair of a poet.
Why say, doesn't nearly every editorial writer in the country jump on him every day, and don't all the paragraphers gibe at him, and don't all the cartoonists lampoon him, and don't all of us who write news from down here in Washington give him the worst of it in our despatches?... And what's the result?
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