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Either Malipieri or his man must have seen her." "She is here!" cried the Baroness in a loud tone, something of the truth flashing upon her. "I know she is here!" Volterra's mind worked rapidly at the possibility, as at a problem. If his wife were not mistaken it was easy to explain Malipieri's flat refusal to let any one enter the bedroom. "You may be right," he said, rising.

For the rest, Malipieri's explanation of his motives was the true one. At the first suggestion of a marriage with Volterra's son Sabina flatly refused to entertain the thought. She made no outcry, she did not even raise her voice, nor change colour; but she planted her little feet firmly together on the footstool before her chair, folded her hands in her lap and looked straight at her mother.

In twenty-four hours he received a note from her, written in a delicate tall hand, not without character, on paper bearing the address of Baron Volterra's house in Via Ludovisi. She thanked him in few words, warmly and simply. He read the note several times and then put it away in an old-fashioned brass-bound secretary, of which he always kept the key in his pocket.

It is very disappointing, but I suppose you are right." "I know I am, except about the exact sum involved. I am an architect by profession, I know something of Volterra's affairs and I do not think I am very far wrong. Very good. But Volterra has accidentally got hold of a terrible weapon against you, in the shape of this blackmailer's letter." "Then you advise me to accept his offer after all?"

But the fat Baron knew what he was about, and as he came forward with his wife he suddenly thrust out his hand at Malipieri's head, and the latter saw down the barrel of Volterra's revolver. "You must let my wife pass," cried Volterra coolly, "or I will shoot you." Malipieri was as active as a sailor.

He did not remember to have ever met a woman who had struck him as so utterly heartless; and yet he could not forget the look that had come into her face, and the simple word she had spoken, when he had told her his story. "I understand that you refused Volterra's proposal," he said, returning to the present trouble. "Do you mean to say that he declined to help you unless you would accept it?"

Moreover, the Medicean bust of Michelangelo which is now placed in the Bargello, and which we believe to have come from Urbino, belongs indubitably to the series of portraits made from Daniele da Volterra's model.

He was haunted by the fear that some one might find out where Sabina had been on the night after she had left Volterra's house, and the mere thought of such a possibility was real torment, worse than the knowledge that he could never marry her, and that without her his life did not seem worth living. Whatever happened to Sabina would be the result of his folly in taking her to the vaults.

What was important was that the weather should be fine, for otherwise the Baroness might not go out, and the whole scheme would fail. In that case, it must be arranged for the following day, and Malipieri would find an excuse for putting off Volterra's visit. He left the house on foot.

Three years later, on September 17, 1569, Diomede wrote once again about his copy of Da Volterra's model: "I enjoy the continual contemplation of his effigy in bronze, which is now perfectly finished and set up in my garden, where you will see it, if good fortune favours me with a visit from you."