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Updated: May 2, 2025
A Roman prince, more notorious for his pretensions to virtu than for his liberality to artists, sauntering one day in Salvator's gallery, in the Via Babbuina, paused before one of his landscapes, and after a long contemplation of its merits, exclaimed, "Salvator mio! I am strongly tempted to purchase this picture: tell me at once the lowest price."
"Now," said the intruder, loosening my feet and releasing me from the chair, "take me to my lady's boudoir. There is room in the car for a few more objects of virtu."
The marble mantels were decorated with articles of virtu, and rare painting adorned the walls. Leading from the crimson parlor was a long, wide ball-room, with waxed and polished floor, and rows of seats for the accommodation of dancers and spectators.
It required a close degree of observation to discover that several articles in common use were really specimens of rare virtu, and everything indicated that the owner had been a traveler, fond of collecting mementos of the distant lands which he had visited; but whether his travels had been those of a mercantile sea-captain or of a wandering gentleman of leisure would have been hard to determine.
No interesting article of /virtu/ was to be seen. The old paintings on the walls were with two exceptions feebly executed.
But he ceased to be interested in the decorations and amused by the articles of virtu in his apartment; he no longer contemplated with pleasure the artistic effect of his rich portières and the soft tone of his translucent window-hangings. The place seemed barren and lonely, and the life he led not much worth the having after all.
There are no costly screens; no relics of dead queens; but on the stand, close to your hand, cheap books and magazines. There's no Egyptian crock, or painted jabberwock, but by the wall there stands a tall and loud six-dollar clock. Old Tiller can't impart much lore concerning art, or tell the price of virtu nice until he breaks your heart.
It was reported that the niece was a great heiress, but after the proposal had been made, it was discovered that Virtu had made away with every shilling of her fortune. This made no difference in the eyes of her inamorato, who is as rich as he is generous, and who saw with the eyes of a youth 'Of Age to-morrow. His guardian, a wary general, demurred but nursery tactics prevailed.
He devoted the last four years of his life in classifying and arranging his Museum, which is distributed in twenty-four rooms, and consists of architectural models of ancient and modern edifices; a large collection of architectural drawings, designs, plans, and measurements, by many great architects; a library of the best works on art, particularly on Architecture; antique fragments of buildings, as columns, capitals, ornaments, and friezes in marble; also, models, casts, and copies of similar objects in other collections; fragments and relics of architecture in the middle ages; modern sculptures, especially by the best British sculptors; Greek and Roman antiquities, consisting of fragments of Greek and Roman sculpture antique busts, bronzes, and cinerary urns; Etruscan vases; Egyptian antiquities; busts of remarkable persons; a collection of 138 antique gems, cameos and intaglios, originally in the collection of M. Capece Latro, Archbishop of Tarentum, and 136 antique gems, principally from the Braschi collection; a complete set of Napoleon medals, selected by the Baron Denon for the Empress Josephine, and formerly in her possession, curiosities; rare books and illuminated manuscripts; a collection of about fifty oil paintings, many of them of great value, among which are the Rake's Progress, a series of eight pictures by Hogarth, and the Election, a series of four, by the same artist; and many articles of virtu too numerous to mention here, forming altogether a most rare, unique, and valuable collection.
MY DEAR FRIEND: I apply to you now, as to the greatest virtuoso of this, or perhaps any other age; one whose superior judgment and distinguishing eye hindered the King of Poland from buying a bad picture at Venice, and whose decisions in the realms of 'virtu' are final, and without appeal. Now to the point.
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